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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Generaion editor Nena Erb I am always r

June 18, 2021, 08:51 AM

https://www.goldderby.com/feature/generation-edito...

The Emmy winner worked on the HBO Max series about Gen-Z high schoolers.

The Mill gives a voice to pets and pool floats in

June 2, 2021, 09:07 AM

https://www.themill.com/newsfeed/the-mill-gives-a-...

We teamed up with Director Harold Einstein of Dummy Films and The Richards Group on a series of charming spots for Orkin Pest Control. In the campaign we see colourful pool floats, a watchful dog, felted lambs and a crescent moon discreetly rave about the dedication and style of an Orkin technician. Our VFX team expertly crafted the characters focusing on refined, elementary movements which mimic stop motion animation.

How To Relink OFFLINE MEDIA in Davinci Resolve 17 [Tutorial]

May 11, 2021, 10:33 AM

https://youtu.be/KeZbx4rOCsY

Did you know Resolve added a new, fast way to Relink your offline footage in the edit and cut page? Learn how easy it is to put your project back together with every single re-linking method in DaVinci Resolve 17. Plus bonus tips about 4 of my favorite post-production organizational apps you’ll want to check out!

#davinci resolve tutorial#davinci resolve 17#how to relink offline media#change source folder#link missing media
Who Should Win the Academy Award for Best Editing This Year?

April 23, 2021, 08:23 AM

https://nofilmschool.com/sound-of-metal-editing

Unless there's a huge controversy, I don't usually know much about the best editing Academy Award. While often confused with the movie that might have the most cuts, or the most stylistic, the best-edited movie of the year needs to build the final story, collaborating with the writing and direction to make what happens on screen the fulfillment of the goals of everyone involved.

Editor Kirk Baxter (ACE) Discusses Editing of the Oscar-Nominated MANK

March 28, 2021, 12:37 PM

https://www.4kshooters.net/2021/03/28/editor-kirk-...

Netflix’s MANK is leading 2021 Oscars nominations with 10 nominations, including Best Picture and Best Director. Earlier this week, Adobe hosted a panel with editor Kirk Baxter, ACE, first assistant editor Ben Insler, and assistant editor Jennifer Chung to discuss their remote workflow on Premiere Pro and After Effects.

#ace#oscars#netflix#kirk baxter#mank
What Makes a Cut "Feel Right"?

March 24, 2021, 08:52 AM

https://filmschoolrejects.com/why-does-some-editin...

Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay on editing, how it can just seem natural, and the science of why edits “feel right.”

#edit#cuts
‘Promising Young Woman’ editor Frederic Thorav

March 5, 2021, 01:51 PM

https://www.goldderby.com/feature/promising-young-...

Frédéric Thoraval had a difficult task ahead of him as the editor on “Promising Young Woman.” The film, about a young woman named Cassie (Carey Mulligan) who seeks vengeance after a traumatic event that happened years ago to her best friend, balances many tones including dark satire, thriller, horror and even rom-com. But the editor credits writer-director Emerald Fennell‘s script for crafting an emotional through-line to keep the film feeling of a piece. “We had a very clear path to f...

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