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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Announcing “Silent,” Dolby's tribute to sound

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http://blog.dolby.com/2014/02/announcing-silent-tr...

For decades, Dolby has been working closely with top Hollywood filmmakers, building the technology and tools they need to bring their visions to life. After all that time consulting on movie sets and in editing studios, it was probably inevitable we’d get the itch to make a film of our own. And now, we’ve done it.

Animating Data Graphics with Data Pop

February 18, 2014, 05:55 PM

https://www.aotg.com/animating-data-graphics-with-data-pop/

One of the features that makes Final Cut Pro X so exciting isn't even created by Apple. It's the thousands of third-party plug-i...

VFX Breakdowns

February 18, 2014, 05:54 PM

https://www.aotg.com/vfx-breakdowns/

Check out this fantastic VFX showreel by the talented Timucin Ozger! Timucin is currently a FX TD at Worldwide FX. For more information, please see the detai...

Sheffield Movie Color

February 18, 2014, 05:54 PM

https://www.aotg.com/sheffield-movie-color/

Movie Color gives you the ability to apply stylized, cinematic "looks" to your footage. It comes with over 50 named pre...

Two Faces of January Breakdown

February 18, 2014, 01:42 PM

http://vimeo.com/87018482

LONVFX TFJ Breakdown Reel

MacBreak Studio Ep. 253: FCP X 4K Multicam

February 18, 2014, 10:49 AM

http://www.youtube.com/watch?v=C5ZN3ykbvhA

Should you optimize your 4K media? Should you make proxies? How many streams of 4K can you expect to be able to play back? In this 4th and final episode of t...

K-PAX: An alien film without special effects

February 18, 2014, 05:41 AM

http://www.redsharknews.com/production/item/1474-k...

One of the best films we know was shot in analogue and has very few special effects KPAXKevin SpaceyCinematography

Kristina Hetherington: Big Questions

February 18, 2014, 05:40 AM

https://www.aotg.com/kristina-hetherington-big-questions/

The editor of Mo, Birdsong and Parade's End talks about pestering the BFI for a job when she was a teenager, and how Dennis Potter's seminal TV series The Si...

Rush editors Daniel P. Hanley, Mike Hill (via Skyp

February 18, 2014, 05:40 AM

https://www.aotg.com/rush-editors-daniel-p-hanley-mike-hill-via-skyp/

They are Ron Howard's long-time editors, currently in London cutting Howard's next release, In The Heart of the Sea. They skyped in to talk about his last fi...

MEWshop Training Series: Automating to Sequence

February 18, 2014, 05:39 AM

https://www.aotg.com/mewshop-training-series-automating-to-sequence/

Manhattan Edit Workshop's Director of Education Janet Dalton shows how to automate to sequence in Adobe Premiere Pro CC. mewshop.com

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