It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 14, 2017, 07:16 AM
http://www.slate.com/articles/video/video/2017/02/...
Animated films have editors just like live-action films. But how do you edit an animated film? In live action, you shoot first and edit later. In animation, you edit first and shoot later.
February 13, 2017, 07:18 AM
https://www.aotg.com/arrival-joe-walker-super-sized-chat/
Joe Walker is the twice-Oscar-nominated editor best known for his work on the films of Steve McQueen and Denis Villenueve. This wide-ranging conversation with David Poland includes Arrival, 12 Years A Slave, Hunger, Sicario, Blackhat, plus more films and some real life.
February 12, 2017, 09:13 AM
https://www.aotg.com/fcpx-203-graphics-titles-and-transitions/
The first section of the course is all about text and titles. Iain shows you how to create studio-quality 2D and 3D titles, and how to use custom material and lighting to give your text that personal touch.
February 12, 2017, 09:13 AM
https://www.aotg.com/fcpx-203-graphics-titles-and-transitions-2/
Additional videos for this title: http://j.mp/2l42fEv Final Cut Pro X 203: Graphics, Titles and Transitions by Iain Anderson Video 1 of 24 for Final Cut Pro ...
February 9, 2017, 05:03 PM
https://www.aotg.com/how-to-install-ama-plugins-in-avid-media-composer/
A quick guide to installing AMA plugins in Avid Media Composer 8.
February 9, 2017, 05:03 PM
https://www.aotg.com/how-to-rename-tracks-in-avid-media-composer/
A quick guide to renaming tracks in Avid Media Composer 8.
February 9, 2017, 05:02 PM
https://www.aotg.com/how-to-create-animated-mattes-in-premiere-pro/
VFX Artist Sean Mullen shows us how to create a animated mattes in Adobe Premiere Pro. Sean walks us through multiple methods of animating mattes, sometimes called track mattes or style mattes.
February 8, 2017, 07:15 AM
https://www.aotg.com/how-to-create-a-sequence-from-a-selection-in-avid/
A quick guide to creating a sequence out of a selection in your timeline in Avid Media Composer 8.6.
February 8, 2017, 07:14 AM
https://www.aotg.com/how-to-import-still-images-into-avid-media-compose/
A quick guide to importing still images into Avid Media Composer 8.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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