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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

5 THINGS: on Live Streaming (episode 210)

February 8, 2017, 07:13 AM

https://www.aotg.com/5-things-on-live-streaming-episode-210/

In this episode of 5 THINGS, Michael examines the components and things to think about when building a live streaming rig, and explains the why behind the how.

panel 2 mid

February 7, 2017, 10:49 AM

https://www.aotg.com/panel-2-mid/

Cast: Editors Guild IL

5.1 Dolby Digital export options in Premiere Pro

February 5, 2017, 06:29 AM

https://www.aotg.com/5-1-dolby-digital-export-options-in-premiere-pro/

5.1 Surround Sound export must fit within the strict guidelines of Dolby Digital to guarantee playing properly. This tutorial will walk you through the correct settings needed. Thanks to Charles Van Winkle of Adobe for help with all the technical data.

FCPX In Under 5 Minutes: Editing with Markers

February 1, 2017, 04:00 AM

https://www.aotg.com/fcpx-in-under-5-minutes-editing-with-markers/

In this episode, Mark gives you a taste of his Warp Speed Editing tutorial by sharing some great tips for working with markers in Final Cut Pro X.

5.1 Surround Sound editing in Adobe Premiere Pro

January 29, 2017, 06:22 AM

https://www.aotg.com/5-1-surround-sound-editing-in-adobe-premiere-pro/

This tutorial takes you through the process of creating and working with 5.1 files including making Sequence settings. Also covered is automating surround sound panning and isolating LFE in a 5.1 Sequence.

Moonlight, editors Joi McMillon, Nat Sanders

January 29, 2017, 06:21 AM

https://www.aotg.com/moonlight-editors-joi-mcmillon-nat-sanders/

This dynamic duo of editors went to school with Barry Jenkins and are now Oscar nominees for their work on Moonlight. They discuss film school, breaking into the industry, and their work on this film with David Poland.

Marc Maron - How to Edit Conversational Comedy

January 28, 2017, 07:44 AM

https://www.aotg.com/marc-maron-how-to-edit-conversational-comedy/

Marc Maron is an American stand-up comedian who is known for his unique brand of conversational comedy. His IFC television comedy "Maron" is a clinic in writing and editing comedic scenes.

Cutting for Ken Loach

January 28, 2017, 07:43 AM

https://www.aotg.com/cutting-for-ken-loach/

Cutting a Ken Loach Film: In Conversation with Editor Jonathan Morris

Post-Production | How to Make a BAFTA-nom'd Short

January 27, 2017, 01:19 PM

https://www.aotg.com/post-production-how-to-make-a-bafta-nomd-short/

Making a short film short enough while telling the story you want to tell can be tricky. some of this year’s BAFTA-nominated short filmmakers share the lessons they learned about staying realistic and taking constructive criticism on board....

Film Editor John Gilroy, ACE on Using Sparse Cover

January 25, 2017, 07:21 AM

https://www.aotg.com/film-editor-john-gilroy-ace-on-using-sparse-cover/

John Gilroy, ACE, began his career working with Francis Ford Coppola's longtime editor Barry Malkin on "Peggy Sue Got Married" and MEWShop Artist in Residence Jeffrey Wolf, ACE on "Beautiful Girls" and "The Ref." His credits include the Academy Award winning "Michael Clayton"...

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