It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 3, 2013, 09:40 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“There is no terrible way to win. There is only winning.” — Jean-Pierre Sarti Gentlemen, start your engines!While not one of designer Saul Bass’s more famous title sequences (see Psycho or North by Northwest), the full throttle intro to director John Frankenheimer’s Formula One flick Grand Prix offers something a little different. This masterfully assembled montage of pre-race preparation features crisply align...
September 2, 2013, 07:22 AM
http://lesterbanks.com/2013/09/form-and-color/?utm...
I used Fractal Architect 2 to make the keyframes and then render out every frame. This is available on the mac app store and cost $24. If you use a pc or want a free application then you can use apophysis 7x...
August 27, 2013, 09:47 AM
http://blogs.adobe.com/jnack/2013/08/how-after-eff...
Cool: Stephen Lawes and Venti Hristova from Cantina Creative talk about how AE CC’s new integration Cinema 4D helped create motion graphics and visual effects in Iron Man 3.
August 27, 2013, 09:46 AM
http://www.creativeplanetnetwork.com/2-pop/news/wa...
Filmmaker Alex Walker highlights some of the features he's most excited about in Avid Media Composer 7 and Symphony.
August 26, 2013, 04:30 AM
http://wolfcrow.com/blog/color-grading-luts-in-ado...
Color grading LUTs in Adobe Premiere Pro - with Blackmagic Pocket Camera footage
August 26, 2013, 04:30 AM
http://philipbloom.net/2013/08/25/premiereluts/
As an option I though it would be nice to show colour correcting from within Adobe Camera Raw. Of course this method works
August 25, 2013, 08:44 AM
http://cinescopophilia.com/blackmagic-pocket-cinem...
French mob red-loc.com got a hold of a Blackmagic Pocket Cinema Camera and put it through its paces, both good and bad.
August 21, 2013, 09:46 AM
http://www.shortoftheweek.com/2013/08/21/sotw-pbs-...
We totally adore this edition of our YouTube show! It’s our shortest playlist yet, but perhaps the most intriguing. Our indomitable host, Ivan Kander, puts his critic hat firmly on to praise the innovative editing work of rising short form star Max Joseph. Check it below, and of course click through to subscribe to our YouTube channel.
August 20, 2013, 04:20 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
For the French TV series Detectives, REANIMATION visualizes modern investigative techniques through a fast and fun first-person approach. Your television set is a computer monitor and you're the sleuth...
August 19, 2013, 12:50 PM
https://www.aotg.com/inside-the-cutting-room-with-bobbie-osteen-featur/
Editor Stephen Rotter discusses the important role that sound plays when editing, as seen in "The Right Stuff." From the Series: "Manhattan Edit Workshop Presents Inside the Cutting Room with Bobbie O'Steen" featuring editor Stephen Rotter on April 25, 2013.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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