It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 26, 2013, 04:55 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“I specialize in murders of quiet, domestic interest.” — Hercule PoirotA blue fog dances underneath a curious collection of shapes. A plumb-bob and the moon framed in white? What does it mean? The distinctive profile (and moustache) of Agatha Christie's famed detective Hercule Poirot is soon added to the mix, helping viewers to crack the case of this sparsely adorned dust jacket. The mystery is a mystery.
March 22, 2013, 11:26 AM
https://www.aotg.com/editor-billy-weber-on-working-with-malicks-v-os/
Terrence Malick's editor Billy Weber talks about using voiceover in their classic films Badlands and Days of Heaven and their inspiration (Truffaut) for how to use it well. Watch below.
March 20, 2013, 10:44 AM
https://www.aotg.com/craig-mckay-a-c-e-editing-of-babies/
Craig McKay, A.C.E. Discusses the Editing of "Babies" from Manhattan Edit Workshop on Vimeo.Editor Craig McKay, A.C.E. talks about the process of editing a film without dialogue as seen in "Babies."
March 15, 2013, 05:27 PM
http://www.postmagazine.com/Video-Center/NAB/Larry...
March 15, 2013, 10:06 AM
http://manhattaneditworkshop.blogspot.com/2013/03/...
Editor Joan Sobel, A.C.E. Discusses Working As An Assistant Editor with the Late Sally Menke, A.C.E. on "All The Pretty Horses" from Manhattan Edit Workshop on Vimeo.Editor Joan Sobel, A.C.E, Discusses Working As An Assistant Editor with the Late Sally Menke, A.C.E. on "All The Pretty Horses" at EditFest LA 2011.
March 12, 2013, 04:54 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
A discussion with Creative Director JAY BOND at Oily Film Company.What have you been up to since we last talked, for Les Bleus de Ramville?For the most part, I've been holed up in my edit suite drinking mass quantities of coffee and cutting two drama series simultaneously. But with regards to title design, shortly after the Ramville titles launched, my partner James Ransom and I heard...
March 11, 2013, 09:53 AM
https://www.aotg.com/editing-barton-fink-pt4/
Michael Berenbaum, A.C.E. Discusses Barton Fink Part IV from Manhattan Edit Workshop on Vimeo.Editor Michael Berenbaum, A.C.E. discusses happy accidents on the set of "Barton Fink." For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Dan Jamieson.
March 8, 2013, 05:05 PM
http://www.youtube.com/watch?v=7HEhJC6TrNk
Whilst finishing a feature film, I came across a situation where I needed to artificially expose my images, to protect details of the motion picture without underexposing or overexposing the parts I needed to keep. This is how simple it can be done in AE.
March 8, 2013, 05:40 AM
http://mumbrella.com.au/adobes-masterclass-in-how-...
Dr Mumbo always enjoys it when a press conference goes astray. And he’s three weeks behind on this video, shot by Renai LeMay of Delimiter, who gave the CEO of Adobe a hard time over the product being priced more highly in Australia than the US. Rather than squirming and dodging the question, Dr Mumbo suggests Adobe may want to find an actual way of preparing an answer before the next press conference.
March 7, 2013, 03:08 PM
http://editingisart.com/?p=787
Electrifying fashion film for Kenzo’s Resort 2013 collection. Can we even call this an edit? Regardless, the animation, colours, an elements all pulse to the beat and we’re loving it. The video is made by art-director Mat Maitland using animations from Natalia Stuyk with post-production … Continue reading →
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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