It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 13, 2012, 03:06 PM
https://www.aotg.com/milton-ginsberg-discusses-his-work/
Editor Milton Ginsberg, A.C.E. discusses his favorite moments in "Last Year at Marienbad."
September 10, 2012, 06:38 PM
https://www.aotg.com/editing-master-class-by-peter-kos/
Kos is editor of the documentary Waste Land (the only one I've seen of his films) talks about his beginnings in the assembly, editing the making-of Malick's The New Word, and the decisions carried out in all its projects. One of the latest is called The Island President.
September 6, 2012, 11:16 AM
https://www.aotg.com/jennifer-proulx-below-the-line/
Below the Line - Editor - Sundance Channel from Sundance Channel on Vimeo.
September 5, 2012, 09:16 PM
https://www.aotg.com/mat-newman-big-questions/
The editor of Drive, Bronson and Valhalla Rising answers BAFTA's three Big Questions.
September 4, 2012, 09:24 AM
https://www.aotg.com/chris-king-and-gregers-sall-bafta-on-senna/
Editing Senna...
August 28, 2012, 10:34 PM
https://www.aotg.com/reviewing-the-hd-and-sd-with-eddie-hamilton/
A good refresher class HD formats, and its difference from the SD, given by editor Eddie Hamilton: HD With Eddie Hamilton from Chris Jones on Vimeo.
August 27, 2012, 01:53 PM
https://www.aotg.com/andrew-weisblum-a-c-e-the-lean-forward-moment/
Editor Andrew Weisblum, A.C.E. discusses the importance of shot choice as seen in "The Hudsucker Proxy", edited by Thom Noble.
August 23, 2012, 08:56 PM
https://www.aotg.com/editfest-ny-2010-susan-morse/
Editor Susan Morse talks about the complex story telling in "The Diving Bell and The Butterfly" edited by Juliette Welfling.
August 21, 2012, 09:00 PM
https://www.aotg.com/alan-e-bell-the-amanzing-spider-man/
The editor of, among others, The Anarchist Cook Book, the latest Spider-Man, or Water for Elephants (500) Days of Summer, that started as an assistant editor, a position he held for twelve years until started riding. Linear assembly met, although in their college years (late 80s - early 90s) were...
August 12, 2012, 09:38 AM
https://www.aotg.com/analysis-of-the-action-scene-in-the-dark-knight/
Jim Emerson In the Cut, Part I: Shots in the Dark (Knight) from Jim Emerson on Vimeo.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.