It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 2, 2022, 07:57 AM
https://www.youtube.com/watch?v=l98qaD_Rv0w
March 2, 2022, 07:56 AM
https://www.goldderby.com/feature/pamela-martin-ki...
“Little Miss Sunshine” and “Slums of Beverly Hills” editor Pamela Martin was almost two decades into her career when she first worked on a sports movie. But following her success on 2010’s “The Fighter,” which earned Martin her first Oscar nomination in the Best Editing category, Martin has thrived when cutting films about competition. She reteamed with “Little Miss Sunshine” filmmakers Jonathan Dayton and Valerie Faris for “The Battle of the Sexes,” and got back on the pro...
February 24, 2022, 08:28 AM
https://www.artofvfx.com/kitz-vfx-breakdown-by-sca...
The teams of Scanline VFX are taking us for a tour to a ski resort by showing us their environment and seamless work on the series, Kitz...
February 22, 2022, 08:49 AM
https://3dtotal.com/news/general/godzilla-vs-kong-...
Weta Digital have shared this reel of their VFX for Godzilla vs. Kong.
February 22, 2022, 08:49 AM
https://3dtotal.com/news/general/no-time-to-die-vf...
DNEG have released a VFX breakdown for the No Time To Die film.
February 22, 2022, 08:48 AM
https://www.artofvfx.com/the-witcher-season-2-vfx-...
The teams of the Icelandic studio RVX take us to discover the mythical fortress of the Witchers, Kaer Morhen, in this VFX Breakdown showing its creation for the second season of The Witcher series!
February 22, 2022, 08:48 AM
https://www.artofvfx.com/limbo-vfx-breakdown-by-fr...
The Hong Kong based studio Free-D Workshop present the variety of their work made for the movie, Limbo...
February 22, 2022, 08:48 AM
https://www.artofvfx.com/feria-the-darkest-light-v...
Get ready to discover the creatures and environment work made by the teams of El Ranchito on the series, Feria – The Darkest Light...
February 16, 2022, 08:35 AM
https://www.redsharknews.com/technology-computing/...
Replay: One of the most compelling things we’ve seen in a while on YouTube, Jim Casey’s whistle-stop tour of the Evolution of Visual Effects is a three minute, five second VFX extravaganza that takes us from 1878 all the way up to the present day.
February 16, 2022, 08:34 AM
https://www.artofvfx.com/annette-vfx-breakdown-by-...
Let’s have a look at the seamless work made by MPC Episodic on the Leos Carax movie, Annette.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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