It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 26, 2010, 11:58 AM
https://www.aotg.com/dann-cahn-archive-interview-part-2-of-11/
Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head...
September 26, 2010, 11:56 AM
https://www.aotg.com/dann-cahn-archive-interview-part-1-of-11/
Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head of...
September 25, 2010, 08:28 AM
https://www.aotg.com/winner-bafta-2009-interview-with-chris-dickens-2/
BAFTA 2009 WINNER: Exclusive Interview with Chris Dickens winner of the Award for Editing for the film Slumdog Millionaire.
September 25, 2010, 08:23 AM
https://www.aotg.com/john-soh-interview-part-4-of-4/
(Note 2 hours UNCUT) He described editing the first programs, coming up with concepts, and sorting through the huge volume of film the crews created. He also discussed his work on the filmed documentary, The Hellstrom Chronicle(1971), which won an Academy Award as Best Documentary Feature. Other programs discussed were The Rise and Fall of the Third Reichand Hiroshima. In conclusion, Mr. Soh discussed the art and craft of editing, his overall philosophy of telling a story through editing...
September 25, 2010, 08:21 AM
https://www.aotg.com/john-soh-interview-part-3-of-4/
(Note 2 hours uncut) He talked about learning the craft of editing, and his concurrent jobs at F. K. Rockett Co. He discussed joining Wolper Productions, where he edited on many of David Wolper's documentary series. He then discussed his long-term association with Jacques Cousteau's television specials. He described editing the first programs, coming up with concepts, and sorting through the huge volume of film the crews created. He also discussed his work on the filmed documentary...
September 25, 2010, 08:18 AM
https://www.aotg.com/john-soh-interview-part-2-of-4/
(Note it's 2 hours UNCUT) John Soh was interviewed for nearly two-and-a-half hours at Universal Studios in Los Angeles, CA. Soh discussed his early years in South Korea, where he developed an interest in American films. He talked about moving to the United States and attending Chapman College, where a professor noticed his talents and encouraged him to transfer to UCLA film school. He talked about learning the craft of editing, and his concurrent jobs at F. K. Rockett Co. He discussed....
September 25, 2010, 08:16 AM
https://www.aotg.com/john-soh-interview-part-1-of-4/
(Note it's 2hrs UNCUT) John Soh was interviewed for nearly two-and-a-half hours at Universal Studios in Los Angeles, CA. Soh discussed his early years in South Korea, where he developed an interest in American films. He talked about moving to the United States and attending Chapman College, where a professor noticed his talents and encouraged him to transfer to UCLA film school. He talked about learning the craft of editing, and his concurrent jobs at F. K. Rockett Co. He discussed joining...
September 20, 2010, 11:41 AM
https://www.aotg.com/thelma-schoonmaker-interview-karlovy-vary/
Oscar-winning film editor Thelma Schoonmaker discusses the work of her late husband, director Michael Powell and her own work with Martin Scorsese in an interview at the Karlovy Vary film festival in the Czech Republic in July 2010.
September 19, 2010, 12:45 PM
https://www.aotg.com/bob-murawski-and-chris-innis-interview-part-3/
Interview by Jim Healy in the Dryden Theatre at George Eastman House on May 6, 2010. Murawski and Innis both won Oscars for editing for THE HURT LOCKER. Here they primarily discuss their work on GONE WITH THE POPE.
September 19, 2010, 12:44 PM
https://www.aotg.com/bob-murawski-and-chris-innis-interview-part-2/
Interview by Jim Healy in the Dryden Theatre at George Eastman House on May 6, 2010. Murawski and Innis both won Oscars for editing for THE HURT LOCKER. Here they primarily discuss their work on GONE WITH THE POPE.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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