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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Creating Custom Color Palettes

October 12, 2016, 05:07 AM

https://www.aotg.com/creating-custom-color-palettes/

In this episode of MacBreak Studio, Mark Spencer shows how you to create custom color palettes for creating motion graphics that comply with corporate guidelines.

EPICOLOR

October 4, 2016, 12:41 PM

https://fxfactory.com/blog/effects-2/epicolor/

Completely automatic primary color correction to Final Cut Pro and Motion.

More Famous Paintings That Inspired Great Filmmake

September 22, 2016, 05:40 AM

http://nofilmschool.com/2016/09/watch-here-are-mor...

Whether viewed at the Louvre or on the first page of a Google search, history's most beautiful paintings and sculptures have continued to be a source of inspiration for the work of our greatest filmmakers, from Christopher Nolan's fascination with Francis Bacon (which inspired The Joker's makeup in The Dark Knight) to Sofia Coppola's homage to Jacques-Louis David's "Napoleon Crossing the Alps" in Marie Antoinette.

Flanders Scientific CM171 17.3

September 14, 2016, 02:18 PM

https://www.aotg.com/flanders-scientific-cm171-17-3/

The CM171 is an extremely capable, light-weight, power-efficient, and color accurate monitor. This unit is equally at home in the field, a post production suite, or an equipment rack.

Advanced Color Grading in Lumetri

August 28, 2016, 05:56 AM

https://www.aotg.com/advanced-color-grading-in-lumetri/

In this tutorial, I'll show you some tips for stacking corrections and working smarter while doing some advanced color grading in the Lumetri Color panel in Premiere CC 2015.3

Does Color Film Have a Color Tone Bias?

August 22, 2016, 12:19 PM

https://fstoppers.com/education/does-color-film-ha...

It's been going on for decades. Film chemicals that coat the film and react with the various colors coming through the lens weren't made to cope with a diverse set of skin tones.

Grading with the Tangent Ripple in FCPX

August 3, 2016, 06:04 AM

https://www.aotg.com/grading-with-the-tangent-ripple-in-fcpx/

In this episode of MacBreak Studio, Steve Martin drags Ripple Training's Lead Editor and Camera Operator Travis Richmond to the other side of the camera lens to discuss using the Tangent Ripple. The Tangent Ripple is a very affordable control surface that can be integrated into virtually all video editing applications on the market.

What The Heck Do I Do With LUTs?

August 1, 2016, 02:05 PM

https://www.aotg.com/what-the-heck-do-i-do-with-luts/

In this little video, I'll explain how to use LUTs in Resolve 12.5 and Premiere CC 2015. This should give you a good starting point if youre new to the whole LUT thing.

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