It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 18, 2020, 01:30 PM
https://beforesandafters.com/2020/06/18/a-long-cha...
In this video, VES board member Gavin Graham chats to Visual Effects Supervisor Jabbar Raisani and Visual Effects Producer Terron Pratt about Netflix’s Lost in Space, season 2.
June 17, 2020, 12:34 PM
https://www.youtube.com/watch?v=ApRL5eeUq0U
View our on-demand webinar where Avid product expert Michael Krulik walks users through some of the new features of the Media Composer 2020.4 release ▶️ https://www.avid.com/media-composer Follow Avid Media Composer: https://facebook.com/avidmediacomposer https://instagram.com/avid.mediacomposer https://twitter.com/mediacomposer https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology
June 17, 2020, 12:33 PM
https://3dtotal.com/news/general/the-mandalorian-s...
Image Engine have posted a VFX breakdown of their work on the first season of The Mandalorian.
June 16, 2020, 01:35 PM
https://www.goldderby.com/article/2020/jay-worth-w...
“Every inch of this world is designed,” says Emmy-winning visual effects supervisor Jay Worth for HBO’s “Westworld.” Season 3 of the sci-fi series pushed the story out of the titular theme park and into the real world of the future, which presented a whole new set of challenges. Watch the exclusive video interview above.
June 15, 2020, 04:55 PM
https://www.artofvfx.com/the-hot-zone-vfx-breakdow...
Come have a look at the work of DNEG on the creation of the macaque for the National Geographic series, THE HOT ZONE...
June 15, 2020, 01:06 PM
https://www.youtube.com/watch?v=csRHO6lbggI
Take a peek at the 5DayDeal Charity Sale: https://thisguyedits.com/5daydeal Win $10,000 worth of prizes (incl. 2020 MacBook Pro 13") (Disclaimer: Affiliate Link - I may make a commission if you make a purchase, but it does not affect your price) ----------------------------------- THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt and James Franco. ------------...
June 15, 2020, 01:05 PM
https://www.pro-tools-expert.com/home-page/2020/6/...
SoundFlow has released SoundFlow 4, the latest version of their Pro Tools focussed shortcut and macro platform. In the last 9 months, the team have continued to develop SoundFlow releasing no less than 7 point updates culminating in this release. We have the details.
June 15, 2020, 01:05 PM
https://beforesandafters.com/2020/06/15/you-could-...
When Batman Forever was released a quarter-century ago, it seemed to feature effects work from just about every shop then around (see the list here). A wide variety of VFX is seen in the film, from matte paintings, to digital characters, to extensive models and miniatures.
June 12, 2020, 04:39 PM
https://www.artofvfx.com/space-force-vfx-making-of...
Don’t miss this making of by Zoic Studios about their work on the first season of Netflix series, SPACE FORCE...
June 11, 2020, 04:54 PM
https://www.slashfilm.com/the-mandalorian-vfx-reel...
Much of the focus on the making of The Mandalorian has been on the groundbreaking virtual set technology referred to as The Volume, or StageCraft, as it’s also been referred to by industry professionals. However, there’s still a lot of traditional visual effects work that went into bringing the first season of the live-action Star Wars series to life. A new The Mandalorian VFX reel was recently posted online by one of the visual effects studios who worked on the series and it shows which sho...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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