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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Mixing Muse with Marc Carolan: S6L Events (Part 9

June 2, 2020, 01:16 PM

https://www.youtube.com/watch?v=oFwmC6F5OjI

Join veteran live sound veteran and Avid senior market specialist Robb Allan as he talks with Muse front of house engineer Marc Carolan about how he uses the Avid VENUE | S6L’s powerful Events capabilities to automate various mixing functions. Watch the full 9-part video series as they discuss a host of topics ranging from working with the band, to technical workflows, favorite gear, plugins, and much more. ▶️ https://www.avid.com/mixingmuse ▶️ https://www.avid.com/s6l Follo...

THE CALL OF THE WILD: VFX Breakdown

June 1, 2020, 05:10 PM

https://www.artofvfx.com/the-call-of-the-wild-vfx-...

Let’s take a trip to Alaska with MPC who presents his work of creatures and environments on THE CALL OF THE WILD...

REVIEW: Hedge for Video by Kenny McMillan

June 1, 2020, 05:10 PM

https://www.provideocoalition.com/hedge-for-video-...

For this Tool Talk we’re going to be talking about the Post Production workflow. It’s a little dry but it’s a crucial step in the film making process and there are things you need to do to ensure that you don’t lose a hard days work to something that could have been avoided with the proper precautions.

FAST & FURIOUS PRESENTS HOBBS & SHAW: VFX Breakdow

June 1, 2020, 12:58 PM

https://www.artofvfx.com/fast-furious-presents-hob...

Come have a look at the work of RISE on the crazy chase sequence in London for FAST & FURIOUS PRESENTS HOBBS & SHAW...

Pro Tools Tech Tip — Pro Tools | First: Save Pro

May 30, 2020, 05:38 PM

https://www.youtube.com/watch?v=myaB7uRmFp4

Save an unlimited number of your Pro Tools | First projects, locally ▶️ https://www.avid.com/pro-tools-first Follow Avid Pro Tools: https://facebook.com/avidprotools https://instagram.com/avid.protools https://twitter.com/avidprotools https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology https://www.tiktok.com/@avidtechnology

How to Color Grade ProRes RAW Media in Final Cut P

May 30, 2020, 05:38 PM

https://www.youtube.com/watch?v=erwdbjabto0

HDR (High Dynamic Range) media is the latest media golden child. But, what is it? How do we use it in Apple Final Cut Pro X? And what about all these other terms: RAW, Log, LUTs, Rec. 709, Rec 2020 and 10-bit? In this short video demo, watch as Larry Jordan illustrates how to display and color grade ProRes RAW media in Apple Final Cut Pro X. (Bonus: How to use the Balance Color effect with HDR media.) This is an excerpt from a longer webinar showing how to use HDR media in Final Cut Pr...

Color Grade Panasonic LOG Media in Final Cut Pro X

May 30, 2020, 05:37 PM

https://www.youtube.com/watch?v=SL2YUaLSCWk

HDR (High Dynamic Range) media is the latest media golden child. But, what is it? How do we use it in Apple Final Cut Pro X? And what about all these other terms: RAW, Log, LUTs, Rec. 709, Rec 2020 and 10-bit? In this short video demo, watch as Larry Jordan shows how to color grade Panasonic HLG Log media in both a Rec. 709 and HDR projects. (Bonus: Larry also illustrates how to use the HDR Tools effect for converting HDR media.) This is an excerpt from a longer webinar showing how to ...

Boris FX Releases Sapphire 2020.5 adds Monthly Sub

May 29, 2020, 01:06 PM

https://news.creativecow.net/story/900942

(Boston, MA--May 29, 2020) Boris FX Sapphire 2020 is now available for Adobe, Avid, and OFX video applications. The latest update to the Emmy Award-winning visual effects suite delivers new professionally-designed lens flares, flare designer updates, Blackmagic Design Fusion support, integrated Mocha improvements, and faster render speeds. Current annual subscription and upgrade & support plan customers receive a complimentary update to Sapphire 2020.5.

John Heller (Penny Dreadful: City of Angels, The O

May 29, 2020, 01:06 PM

https://www.goldderby.com/article/2020/john-heller...

“The most important thing was authenticity,” says visual effects supervisor John Heller of his recent television work. He crafted effects for Showtime’s noir period piece “Penny Dreadful: City of Angels” as well as HBO’s detective thriller “The Outsider.” Both series uniquely demand that he deliver supernatural elements within stories that are grounded in reality. Watch the exclusive video interview above.

WESTWORLD – SEASON 3: Nhat Phong Tran (VFX Super

May 28, 2020, 07:27 PM

https://www.artofvfx.com/westworld-season-3-nhat-p...

In 2019, Nhat Phong Tran told us about the work of Pixomondo on the second season of THE ORVILLE. He then worked on EUPHORIA.

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