It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 1, 2015, 01:49 PM
https://www.aotg.com/tracking-color-corrections-in-fcpx/
This week on MacBreak Studio, Sam Mestman from wemakemovies.com demonstrates how to track a color grade to a moving subject using 2 third-party plugins for Final Cut Pro X: Color Finale and Track X.
August 26, 2015, 12:31 PM
https://www.aotg.com/how-to-load-luts-in-premiere-cc-2015/
A short look at a great way to use LUTs in Adobe Premiere CC 2015...
July 28, 2015, 07:51 AM
https://www.aotg.com/davinci-resolve-12-whats-new-with-the-tracker/
Davinci Resolve 12, offers some refinements that make the tracker way easier to use, and more accurate.
July 27, 2015, 12:28 PM
https://www.aotg.com/resolve-12-how-is-it-different-than-11/
In this video we will take a look at the new coloring features in the latest edition of davinci resolve (12)
July 16, 2015, 03:39 PM
https://www.aotg.com/bmpcc-lut-examples/
BMPCC LUT Example
July 16, 2015, 09:25 AM
https://www.aotg.com/varicam-live-color-grading-working-with-pomfort/
TUsing Pomfort’s LiveGrade you can remotely color grade the VariCam 35. In my previous post, I explained how to set up the camera in preparation for the next step – working with the LiveGrade software. The software connects to the camera over a wired or wireless network and can work in a couple of different ways. You can set it to use the Default 3D LUT in-camera, which uses the...
July 9, 2015, 04:36 PM
https://www.aotg.com/varicam-live-color-grading-camera-setup-part-1/
One of the great features of the Panasonic VariCam 35 is its built in color management. The camera can record in VariCam Log while applying look up tables (LUTs) to all outputs, including the viewfinder. The camera can load in both 3D LUTs for full color adjustment, as well as CDLs (Color Decision Lists) for basic Lift, Gamma, Gain and Saturation adjustments. While these LUTs and CDL files can be loaded in via an SD card, what really makes this camera unique is that it can also be live graded.
July 3, 2015, 10:48 AM
https://www.aotg.com/lumetri-color-in-premiere-pro/
To me, the new stand out feature in CC 2015 is actually in Premiere pro and not After Effects. Check out some real world examples of using Lumetri Color to fix some difficult shots with mixed light environments. Enjoy.
June 29, 2015, 09:58 AM
https://www.aotg.com/adobe-hue-cc-review-gimmick-or-serious-color-tool/
Adobe Hue CC is currently an app for the iPad and iPhone that allows you to pick out a hue from images and videos, create a Look based on the hue picked, and then transfer that look to other footage. This is my review of the Hue based on preliminary testing.
June 16, 2015, 05:14 AM
https://www.aotg.com/the-new-lumetri-3-way-color-corrector-premiere-p/
The new Lumetri Color panel in Premiere Pro includes a 3-way color corrector that is both powerful & easy to use.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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