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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Vector Based Video, Death of Pixels Within 5 Years

February 13, 2013, 08:23 AM

http://www.rawcomms.net/index.php?topic5-vector-ba...

The team behind the project - University of Bath, Root6 Technology, Smoke and Mirrors and Ovation Data Services - are now looking for industry buy-in to the research to expand its potential applications.

Color Perception and Calibration

February 12, 2013, 10:11 PM

http://www.creativeplanetnetwork.com/digital-cinem...

In this video podcast from Phil Crawley and Hugh Waters, they talk about TV Colorimetry -- the different perceptions of color and how it can affect monitor calibration.

San Francisco Super Meet 2013:  Cinema 4D

February 12, 2013, 01:03 PM

http://provideocoalition.com/cmilby/story/san-fran...

There was a bevy of software companies at the San Francisco SuperMeet 2013, and beyond who you’d expect to see, including Adobe and Avid and newcomer Technicolor, (look for coverage of their new product later), it was my pleasure to get up close and personal with...

ParaNorman (2012)

February 12, 2013, 12:56 PM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

An OUTCAST BOY who can commune with the DEAD... A TOWN obsessed with the past, UNWILLING to accept him! BULLIES! ZOMBIES! GHOSTS! WITCHES! A FILM as SPOOKY as it is HEARTWARMING... CHILLING as it is ENDEARING! LAIKA's 3D stop-motion TRIUMPH ParaNorman has SCARES and LAUGHS aplenty... AND a BEWITCHING main-on-end title sequence worth writing home to mother about!The tale of young Norman Babcock comes to a close to the tune of the White Stripes' "Little Ghost" as the slightly skewed...

Episode 93 - Tempo: Under Fire - Bullet Hits and R

February 12, 2013, 12:56 PM

http://feeds.redgiantsoftware.com/~r/RedGiantTv/~3...

In this Episode of Red Giant TV, Harry Frank shows you how to use Trapcode Particular to generate realistic sparks like those seen from bullet hits and ricochets. He'll also talk about techniques for creating bullet holes and muzzle flashes.

Episode 166: Complex, Real-World Effects with BCC

February 12, 2013, 12:55 PM

http://www.borisfx.com/videos/BCCAVX/Wild-Cards.ph...

In this Boris TV episode, Kevin P McAuliffe creates a video wall in 3D space in just minutes using Boris Continuum Complete's Wild Cards filter in his Avid editing system. Not only is BCC Wild Cards easy to use, but it is quick to manipulate to produce stunning effects.

Entrevista a Andrea Chignoli | EDAeditores

February 12, 2013, 07:51 AM

http://edaeditores.com.ar/entrevista-a-andrea-chig...

(In Spanish) In the last decade, Chilean cinema was living a revitalization process that now places Chilean cinema on the cutting edge of Latin American cinema. Behind this process there are many professionals marked by a rough political life. Among them, there is Andrea Chignoli, who edited NO (last feature film directed by Gael Garcia Bernal).

San Francisco SuperMeet 2013: Cinema 4D

February 11, 2013, 08:09 PM

http://www.hdvideopro.com/blog/editor/2013/02/san-...

There was a bevy of software companies at the San Francisco SuperMeet 2013. Beyond who you might expect to see, including Adobe and Avid, it was my pleasure to get to know a little about Maxon’s Cinema4D.

Tellefsen on The People V. Larry Flynt

February 11, 2013, 02:13 PM

https://www.aotg.com/tellefsen-on-the-people-v-larry-flynt/

Editor Christopher Tellefsen, A.C.E. talks about the transition from editing manually to digitally using an example from "The People Vs. Larry Flynt." For more information on Editfest NY please go to editfestny.com.

Dale Grahn on Timing His First Feature

February 11, 2013, 02:12 PM

http://www.crumplepop.com/blog/?p=592

Dale Grahn Shares His Experience on Color Timing His First Film, Predator (1987.)To watch his timed trailer click here. Dale Grahn Color is currently in the new and noteworthy section of the iPad App store. To learn more check out our Dale Grahn Color page or take a look at the app in the iTunes store.

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