It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 11, 2013, 02:04 PM
http://www.creativeplanetnetwork.com/2-pop/news/ho...
In this video from LACPUG, editor and producer Bill Davis shows how to edit a 14 camera shoot using Multicam in Final Cut Pro X. Watch below.
#fcpx#final cut pro#nle#appleFebruary 11, 2013, 10:28 AM
http://awards.bafta.org/award/2013/film/editing
William Goldenberg won the BAFTA for ARGO, watch his acceptance speech.
#award#baftaFebruary 11, 2013, 08:33 AM
http://feedproxy.google.com/~r/norendercom/~3/jZRI...
RENDER Os presentamos la última entrega del curso gratis Basic Training After Effects. En ...
February 11, 2013, 08:29 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
In this lesson, Kevin P McAuliffe gives you a lesson "right out of the edit room" with a breakdown of how he created a title treatment for the French Canadian "A Good Day to Die Hard" commercials. Once you see how easy it is to create inside your NLE, you'll wonder why you don't create all your text treatments this way.
February 9, 2013, 10:40 AM
http://www.creativeimpatience.com/animate-feathere...
The third, and most likely last of the Feathered Crop basics, this time on how to animate your feathered crop using GUI in the program monitor to hasten your workflow. It’s very likely you already know it, but just in case, here it is:
February 8, 2013, 08:52 PM
http://library.creativecow.net/mcauliffe_kevin/Avi...
In this lesson, Kevin P McAuliffe answers a viewers question about a common technique that you see in show's like X Factor, and that is "How do you build split screen elements inside of Media Composer?" Well this first of four part tutorial shows you how to take a aplit screen element, possibly created by your Graphic Designer, and work with it in your Media Composer and Symphony timeline.
February 8, 2013, 08:52 PM
http://library.creativecow.net/mcauliffe_kevin/Avi...
In this second lesson in our look at Split Screens inside of Avid's Media Composer, we look at how to create our own, right from within the MC/Symphony timeline using the standard title tool, and the 3D Warp effect.
February 8, 2013, 08:50 PM
http://library.creativecow.net/mcauliffe_kevin/Avi...
In the third part at our look at Split Screens inside of MC and Symphony, Kevin P McAuliffe shows you how easy it is to take the technique from the previous tutorial, and add realistic motion to the footage inside of the split screen elements.
February 8, 2013, 08:48 PM
http://library.creativecow.net/mcauliffe_kevin/Avi...
In this last part of our look at Split Screens inside of Media Composer and Symphony, Kevin P McAuliffe gives you an introductory look at Matte Keying, and shows you why working with them has a huge, hidden advantage while working inside of your MC/Symphony timeline.
February 8, 2013, 02:26 PM
http://www.premiumbeat.com/blog/markers-in-premier...
Premiere Pro has introduced a ton of new functionality when adding and editing markers. In this post we show you multiple ways to use Premiere Pro markers in your video editing projects to make your workflow more efficient.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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