It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 30, 2013, 08:29 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
Editor's Note: This article has been marked "Not Safe For Work" due to elements which contain nudity and sexual situations. In the beginning, the Internet was formless and empty. But soon there was Geocities, and Livejournal, and Fotolog - precursors of digital expression, fonts of potential.
January 30, 2013, 08:23 AM
http://filmmakeriq.com/2013/01/compositing-fundame...
In this tutorial Dave Scotland takes a look at selection methods within a compositing environment and discuss the importance of understanding them. Although its aimed at someone just starting out in the world of compositing, the more experienced artist will also find some valuable information.
January 29, 2013, 10:12 PM
http://feeds.redgiantsoftware.com/~r/RedGiantTv/~3...
In this episode of Red Giant TV, Simon Walker shows you how to enhance and alter motion graphics with Magic Bullet Looks, even if you aren't working in a motion graphics program like After Effects or Motion, and are instead working in a video editor.
January 29, 2013, 10:08 PM
http://nofilmschool.com/2013/01/element-3d-free-1-...
If you thought Video Copilot’s Adobe After Effects plug-in Element 3D couldn’t get any better, then check out the new features the free 1.5 update is sporting: support for importing animated 3D sequences, real-time glow, new particle ordering and repeating options, ambient occlusion improvements, layer grid mode, and more. Feast your eyes on Andrew Kramer’s video...
January 29, 2013, 10:18 AM
https://www.aotg.com/christopher-tellefsen-a-c-e-editing-suspense/
Editor Christopher Tellefsen, A.C.E. talks about the art of suspense using an example from Capote.
January 29, 2013, 10:14 AM
http://www.fcp.co/final-cut-pro/tutorials/1034-the...
Mark Spencer and Steve Martin celebrate the 200th episode of the very popular MacBreak Studio series. After lighting the cakes they take a look at how Final Cut Pro X interprets graphic files and video clips.
January 28, 2013, 08:10 PM
http://blogs.adobe.com/jnack/2013/01/adobe-sundanc...
Final Cut vets talk about overcoming their disbelief about Premiere Pro—and the limitations of FCP—in these interviews from the show.
#adobe#cs6#premiere pro#nleJanuary 28, 2013, 08:45 AM
http://www.norender.com/basic-training-after-effec...
(In Spanish) ¡Nueva entrega del curso gratis Basic Training After Effects! En este nuevo vídeo tutorial veremos como podemos modificar el aspecto de las luces traseras de un autobús, utilizando la herramienta vectorial de clonado conjuntamente con los trackers.
#adobe#after effects#aeJanuary 27, 2013, 04:01 PM
http://blogs.adobe.com/jnack/2013/01/happy-birthda...
“I can’t believe I’m talking to these guys,” I thought. “They’re spending their time talking to me–and they’re so down-to-earth!” That was in 2000, when I first met the brains behind After Effects. (I’d just joined Adobe, aspiring to build “AE for the Web.”) 13 years later, I still feel just the same. In any industry full of half-hit wonders acting like they’ve just cured cancer, I find Dave, Dan, and all the AE guys as relentlessly humble and passionate as can be.
#adobe#after effects#ae#nle#postJanuary 26, 2013, 09:47 AM
http://filmmakeriq.com/2013/01/get-buff-with-adobe...
The VFXBro whips you into shape – adding muscle mass in post production without doing all those push-ups.
#adobe#cs6#after effects#aeDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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