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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Adobe After Effects Basics – Camera Shake

August 5, 2014, 05:06 PM

http://www.surfacedstudio.com/tutorials/after-effe...

One of the easiest ways to enhance the look of destruction effects like explosions and impacts is to add a little bit of camera shake. Even the smallest amount of camera shake will greatly intensify the power of the effect. It does so by conveying the impression that the explosion or collision was powerful enough to make the ground on which the camera stands shake.

Crop Factor vs Full Frame

August 5, 2014, 03:19 PM

http://nonlinearpost.com/crop-factor-vs-full-frame...

Crop Factor vs Full Frame My friend Robert Hardy writing for nofilmschool.com, discovered this mildly entertaining and extremely informative video on crop factor vs full frame. As technology continues to improve, sensor size begins to become somewhat less of a determining factor when it comes to image quality in today’s digital cinema cameras. In the video, Zack Arias makes some interesting points through various demonstrations, using the historical aspects of photography to further illust...

#crop
Transform AE Text, Footage, Solid Layers into Dyna

August 5, 2014, 11:31 AM

http://lesterbanks.com/2014/08/transform-ae-text-f...

Templater for After Effects will allow your to pipe data from spreadsheets into dynamic layers in After Effects easily customizing text, footage or solid layers

#after effects#templater
How To See What's New with MC

August 1, 2014, 05:29 PM

https://www.aotg.com/how-to-see-whats-new-with-mc/

How To See What's New with Media Composer | Software - How To by Avid Customer Support covers basic operation of your Avid software, system troubleshooting, quick tips, and much more.

The editing of a 64 layer project

August 1, 2014, 05:27 PM

https://www.aotg.com/the-editing-of-a-64-layer-project/

A 64 layer project using final cut pro x and the all ned Mac Pro.

Final Cut Pro X: Compositing 64+ layers in real ti

August 1, 2014, 03:02 PM

http://alex4d.com/notes/item/fcpx-64-layer-real-ti...

Here's a new video from Gyro (tweeted by @sundsvein) featuring an edit on a Mac Pro using 64 layers of video - each of which was at least HD resolution. One 14 second sequence had 2,400+ 1080p clips. The reason we went for Final Cut Pro X as our main (and only) software is because it was bar far the only software that could handle 64+ layers with relative ease, and the way it works with the hardware is crazy Shows that Final Cut Pro X in combination with a Mac Pro can do real-time ...

#fcpx#real time
How to Encode for Multiple Screens

July 30, 2014, 12:32 PM

https://www.aotg.com/how-to-encode-for-multiple-screens/

Most publishers today have to distribute to three sets of screens: desktop, mobile, and TV. This session will start by detailing the playback capabilities an...

Forum Tip: Boris Red Advanced Text Fill Options

July 30, 2014, 09:58 AM

https://www.aotg.com/forum-tip-boris-red-advanced-text-fill-options/

Based on an inquiry regarding gradient on text in the Avid forum, Senior Product Manager, Dirk deJong, shows you how to add gradient with bevel and 3D looks ...

MacBreak Studio #276 - Audio Enhancements in FCPX

July 30, 2014, 09:58 AM

https://www.aotg.com/macbreak-studio-276-audio-enhancements-in-fcpx/

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how we can now make relative and absolute audio adjustments in Final Cut Pro X.

Ep. 276 - Audio Enhancements in FCP X 10.1.2

July 29, 2014, 09:48 AM

https://www.aotg.com/ep-276-audio-enhancements-in-fcp-x-10-1-2/

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how we can now make relative and absolute audio adjustments in Final Cut Pro X.

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