It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 23, 2013, 02:34 PM
http://editorunderconstruction.blogspot.com/2013/0...
Craig McKay is one of the editors of the film, along with Reynald Bertrand, built, in his words, in the editing room. This entry is the appetizer for the following translation I am preparing What do you have to do? That is an interview with an editor of a documentary without dialogue. Enough said. Well, come on, say that the documentary is the host, which is the last I've seen and that the interview is a real source of knowledge. For now, I leave you with babies, it's very funny...
#craig mckay#editing#film editorJanuary 23, 2013, 08:26 AM
http://blog.sorensonmedia.com/2013/01/new-must-see...
Kirk and Eric bring their second video tutorial to your screen — and this is a “must see.” Topic is “Review and Approval” workflow — powerful functionality that comes uniquely and absolutely for free within Squeeze. You may not even know it is there … but you should. Watch this one. You will be glad you did.
#workflow#sorenson#squeeze#tutorial#review#approvalJanuary 22, 2013, 10:25 PM
http://www.borisfx.com/videos/BCCAVX/Beat-Reactor....
Watch Kevin P. McAuliffe take an audio clip and automatically animate BCC Film Glow to music using the built-in Beat Reactor. Many BCC effects integrate Beat Reactor and this tutorial shows you how to easily create animation as well as a neat trick to ensure that the effect animates evenly across three clips.
January 22, 2013, 10:23 PM
http://filmmakeriq.com/2013/01/where-to-place-soun...
Terry explains the methods of placement for absorption panels in this informational video from Auralex Acoustics.
January 22, 2013, 02:45 PM
https://www.aotg.com/the-avengers-the-editing-team-speaks/
The Avengers: The Editing Team SpeaksMeet The Avengers team—editor Jeff Ford, assistant editors Robin Buday and Matt Schmidt—and hear how they helped create one of the most successful films of all time with the help of Media Composer®, Pro Tools®, and Avid® shared storage. Catch the behind-the-scenes Q and A...
January 22, 2013, 07:50 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
Wayne Fitzgerald's opening titles for Murder by Death produce more questions than answers, but that is the MO of any mystery worth its salt. As the titles "Murder" and "Death" hover ominously, it takes the audience a moment to register that the illustrated cutouts aren't the familiar Addams Family characters from the New Yorker, but rather a new set of characters drawn by Charles Addams acting out a scene of miniature malice.
January 21, 2013, 09:50 AM
https://www.aotg.com/christopher-tellefsen-a-c-e-on-editing/
Editor Christopher Tellefsen, A.C.E. discusses cutting for comedy as seen in "Flirting with Disaster." For more information on Editfest NY please go to editfestny.com.
#ace#edit fest#american cinema editors#christopher tellefsenJanuary 21, 2013, 09:31 AM
http://www.surfacedstudio.com/tutorials/adobe-afte...
Most of my VFX tutorials are aimed at intermediate to advanced users of After Effects. While I also have an ongoing video series covering the basic concepts, I felt I was missing a tutorial for absolute beginners, for people who are just starting to use After Effects and are trying to create their first own VFX.
#adobe#cs6#after effects#ae#postJanuary 21, 2013, 09:26 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
Advanced Marquee Techniques Part FOUR: In this lesson, Kevin P McAuliffe expands on his Title Roll lesson (Advanced Marquee Technique #3), and shows how you would go about integrating client logos into your title rolls and crawls. Again, this is a technique that is normally done outside of Media Composer or Symphony, but as this lesson shows, we can do it right here from within the timeline.
#avid#media composer#mc6#nleJanuary 21, 2013, 09:24 AM
http://library.creativecow.net/mcauliffe_kevin/Avi...
Advanced Marquee Techniques Part FIVE: In this lesson, Kevin P McAuliffe talks about applying textures to your text, he shows you why seamlessly tileable elements are the way to go, and even how to manipulate your textures, once they have been applied. Finally, he wraps things up by showing you how easy it is to apply textures to any element you have created inside of Marquee. If you've started creating 3D text inside of Marquee, this...
#avid#media composer#mc6#nleDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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