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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Thelma Schoonmaker at George Eastman House 1of2

October 2, 2010, 03:36 PM

https://www.aotg.com/thelma-schoonmaker-at-george-eastman-house-1of2/

The three time Oscar winner has edited every Martin Scorsese film since RAGING BULL. Here she is in the Dryden Theatre at George Eastman House (Rochester, NY) introducing the restoration of her late husband Michael Powell's film THE RED SHOES. She is also accepting the Susan B. Anthony Failure is Impossible Award.

Interview mit Chris Lebenzon

September 30, 2010, 04:20 PM

https://www.aotg.com/interview-mit-chris-lebenzon/

Editor Chris Lebenzon talks about his editing experiences and dealing with directors. Chris's credits include Alice in Wonderland, Top Gun, Ed Wood and Mars Attacks!

RIP Sally - Hello Sally - Death Proof

September 28, 2010, 10:32 PM

https://www.aotg.com/rip-sally-hello-sally-death-proof/

Quentin Tarantino talks about his editor, Sally Menke; plus, the closest thing to a Death Proof blooper reel we'll ever get.

Wong Kar-Wai On Editing & Shot Selection

September 26, 2010, 12:08 PM

https://www.aotg.com/wong-kar-wai-on-editing-shot-selection/

Chinese filmmaker discusses shot selection and final cut, & Leung/Cheung love scene left out of 'In the Mood for Love

Dann Cahn on the transition of I Love Lucy

September 26, 2010, 12:07 PM

https://www.aotg.com/dann-cahn-on-the-transition-of-i-love-lucy/

Film editor Dann Cahn on the transition of "I Love Lucy" to "The Lucy-Desi Comedy Hour"

Dann Cahn - Archive Interview Part 11 of 11

September 26, 2010, 12:05 PM

https://www.aotg.com/dann-cahn-archive-interview-part-11-of-11/

Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head...

Dann Cahn - Archive Interview Part 10 of 11

September 26, 2010, 12:05 PM

https://www.aotg.com/dann-cahn-archive-interview-part-10-of-11/

Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head...

Dann Cahn - Archive Interview Part 9 of 11

September 26, 2010, 12:04 PM

https://www.aotg.com/dann-cahn-archive-interview-part-9-of-11/

Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head...

Dann Cahn - Archive Interview Part 8 of 11

September 26, 2010, 12:03 PM

https://www.aotg.com/dann-cahn-archive-interview-part-8-of-11/

Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head...

Dann Cahn - Archive Interview Part 7 of 11

September 26, 2010, 12:03 PM

https://www.aotg.com/dann-cahn-archive-interview-part-7-of-11/

Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head...

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