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To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Episode 198:

May 9, 2014, 09:44 AM

https://www.aotg.com/episode-198/

Inspired by "The Walking Dead," Paul Ezzy creates a gritty atmospheric opening title sequence with BCC 9 AE's new filters and single-track transitions in Ado...

Linking to Media within Avid Media Composer

May 9, 2014, 09:43 AM

https://www.aotg.com/linking-to-media-within-avid-media-composer/

Learn how to use the AMA (Avid Media Access) function within Avid Media Composer to link to external media and camera volumes.

Adobe's Bill Roberts on new Premiere features

May 8, 2014, 12:54 PM

https://www.aotg.com/adobes-bill-roberts-on-new-premiere-features/

Adobe's Bill Roberts is interviewed by Going Postal Show at NABShow 2014 as part of AOTG.com live series from the conference. They discuss Adobe Premiere, Prelude, exciting new After Effects features and their various uses in the film and broadcasting industries.

#after effects#cloud#film#visual effects#post production#story#prelude#adobe premiere#broadcasting
Assimilate Inc's Steve Bannerman at NabShow 2014

May 7, 2014, 12:05 PM

https://www.aotg.com/assimilate-incs-steve-bannerman-at-nabshow-2014/

Assimilate Inc's Steve Bannerman is interviewed by Manhattan Edit Workshop's Josh Apter at NABShow 2014 from the Aotg.com booth. They discuss Scratch and Scratch Labs, 4K workflows, Stereo 3D, turnkey systems, and so much more!

#editing#3d#vfx#color#film#4k#post production#onset#mew#manhattan edit workshop#scratch#aotg#scratch play#josh apter#steve bannerman#2k
After Effects Video Tutorial: Fireworks

May 6, 2014, 04:35 PM

http://www.premiumbeat.com/blog/after-effects-vide...

In this Premiumbeat exclusive tutorial we show you how to create shape based fireworks in After Effects.

Replacing Temp Music in FCPX

May 6, 2014, 09:38 AM

https://www.aotg.com/replacing-temp-music-in-fcpx/

This week on MacBreak Studio, Mark shows us a cool trick for replacing temp music in a managed library that can be used in many other situations as well.

AE Global Renamer v1.2 Demo

May 6, 2014, 09:38 AM

https://www.aotg.com/ae-global-renamer-v1-2-demo/

New scope in v1.2: Selected property children Rename items project wide in After Effects with as much ease or power as...

Premiere Pro CC – Best Way to Import RED Footage

May 5, 2014, 02:26 PM

http://editcellar.com/premiere-pro-cc-best-way-to-...

Today’s tutorial is NLE specific for Adobe premiere pro CC. When importing RED footage (.rd3′s), there is a certain method to follow so that all extended clips only import as a single clip. Otherwise, you wind up with a bunch of folders with duplicated clips for any clips that were split due to their length. […]

Premiere Pro CC - Best way to Import RED footage

May 5, 2014, 09:30 AM

https://www.aotg.com/premiere-pro-cc-best-way-to-import-red-footage-2/

This tutorial shows you the best way to import RED footage (.rd3) into premiere when you have extended clips. Extended clips are clips that are segmented when shot due to their length. Normally they appear in folders among the regular clips. This TUTS shows you how to import them as straight clips.

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