It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 6, 2019, 09:04 AM
https://www.rocketstock.com/blog/using-luts-adobe-...
When first starting out with LUTs, you may think they are a “band-aid” solution for your color grading woes. Applying one might either make your footage great or turn it into a saturated mess — so you end up going through your entire catalog of LUTs just trying to see what works.
September 4, 2019, 02:27 PM
https://www.youtube.com/watch?v=AmbQt3bbz7w
Editor Mary Jo Markey ACE Explains How She Intensified Mission Impossible III's Opening Scene from "Sight, Sound & Story: Post Production Summit" 2019. Mary Jo Markey, ACE, is an accomplished editor in both film and television. After cutting a series of independent films and television movies, Markey began her collaboration with JJ Abrams as one of the editors of the TV series "Felicity" during its first three seasons (1998-2000). Markey then moved over to edit the first two season...
September 3, 2019, 09:12 AM
https://www.artofvfx.com/men-in-black-internationa...
After the creation of the cute Pawny, it’s the time to discover how the MEN IN BLACK – INTERNATIONAL bad guy, The Hive, has been done by VFX Supervisor Chris Waegner, Animation Supervisor Craig McPherson and their teams at Sony Pictures Imageworks...
September 3, 2019, 05:48 AM
https://www.artofvfx.com/men-in-black-internationa...
VFX Supervisor Chris Waegner and Animation Supervisor Craig McPherson from Sony Pictures Imageworks talk about the creation of Pawny for MEN IN BLACK – INTERNATIONAL...
August 29, 2019, 06:06 AM
https://www.slashfilm.com/the-morning-watch-avenge...
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
August 29, 2019, 06:06 AM
https://www.artofvfx.com/men-in-black-internationa...
Come have a look at how Sony Pictures Imageworks created the Eiffel Tower and Paris for MEN IN BLACK - INTERNATIONAL.
August 28, 2019, 06:22 AM
https://www.youtube.com/watch?v=fYvOlwA411k
We welcomed Michael Krulik from Avid who showed the brand new reimagined Avid Media Composer 2019. Hosted by Michael Horton. In Collaboration with Surf Theater Productions
August 27, 2019, 06:48 AM
https://www.premiumbeat.com/blog/productivity-for-...
Much has been written about utilizing your time to the best of your ability, and I’ve tried most of it. So, I thought it’d be helpful to go over the things that have stuck with me, allowing me to run a production company and make over 200 YouTube videos — over the last two years.
August 17, 2019, 08:42 AM
https://www.youtube.com/watch?v=mjuoYrWddkw
Mary Jo Markey, ACE was tasked with bringing the final act of Star Wars the Force Awakens together in the edit room. She approached the X-Wing mission to destroy Starkiller Base with a 'less is more' philosophy that she explained here at our Sight, Sound and Story Event. Mary Jo Markey, ACE, is an accomplished editor in both film and television. After cutting a series of independent films and television movies, Markey began her collaboration with JJ Abrams as one of the editors of the ...
August 17, 2019, 08:42 AM
https://www.youtube.com/watch?v=i9mGSDluh9g
Film Editing Commandments hereby passed to us through Vashi Nedomansky, ACE. Get the free "5G Forever Account": https://thisguyedits.com/wipster Wipster is the new place to collaborate and review audio and video work in progress. For filmmaking teams, client reviews, producer and director notes. ----------------------------------- Vashi's company Vashi Visuals has provided post-production workflow and consulting services for numerous films including Gone Girl directed by Davi...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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