September 28, 2010, 08:10 PM
http://www.jaa-editing.com/wordpress/2010/09/bye-s...
Whilst editors are usually unseen (both on set and on screen) and therefore relatively unknown, Sally’s work with Quentin Tarantino evolved to become much more than that in both areas. On any given DVD it would usually be possible to find Tarantino gushing about the importance of collaboration in the edit room as a chance to rewrite the story one last time – and the nonlinear nature of many of his films gave the general public the chance to consider work beyond the shooting stages and sets.
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