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CineMatch from FilmConvert

November 30, 2020, 01:49 PM

https://digitalfilms.wordpress.com/2020/11/29/cine...

One of the many color correction challenges is matching dissimilar cameras used within the same production. This tends to be the case in many web, streaming, and non-scripted projects, where budgets and availability often dictate the mix of cameras to be used. I frequently end up with RED, ARRI, Panasonic, Sony, DJI, and GoPro cameras […]

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