January 2, 2013, 01:24 PM
http://www.btlnews.com/awards/contenders-editors-c...
For the new movie version of the hit theatrical show Les Misérables, the filmmakers engaged in a rigorous 70-day shoot with musical sequences realized live on set. Aboard from the beginning was editor Chris Dickens who faced the technical challenges of cutting a production without the traditional method of editing a musical by syncing the music in post to lip-synced on-set shots performed to playback.
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