With all of the wonder, adventure and thrills synonymous with one of the most popular and successful series in cinema history, this all new motion picture event sees the return of favorite characters and dinosaurs along with new breeds more awe inspiring and terrifying than ever before. “Welcome to Jurassic World: Fallen Kingdom.”    

“Our aim with ‘Fallen Kingdom’ was to achieve a lush, vibrant look whilst retaining natural contrast levels,” begins supervising digital colorist, Adam Glasman. “The DP Oscar Faura worked with the DIT on set to grade dailies and provided us with looks for each scene as CDL files. These gave us great visual references to use as a starting point, which we were then able to enhance and adjust in DaVinci Resolve.”    

With such a visual effects heavy production, it was essential that Glasman, Faura and the ILM VFX team were all on the same page with the color palette of the film as significant changes to the look could affect the lighting of the computer graphics (CG) involved.    

“Faura came over to the UK a few months before DI began, and spent a week with us at Goldcrest. Together, we completed a rough grade of the film and screened it to the director, editor and VFX team to ensure all were comfortable with the direction of the grade,” Glasman explains.    

There was a lot of communication required. CDL files were shared with the VFX team allowing ILM to work on the CG whilst seeing something close to the final look of the film. Goldcrest also had access to mattes for every single dinosaur during the grade, giving Glasman more flexibility to adjust the grade while ensuring the CG still fit into the background plate.    

Filming for the island scenes in which the volcano erupts took place in strong sun in Hawaii. “All the shots were really bright and cheerful when they first came in,” Adam remembers.    â€œHowever, we needed to create a grade that would reflect the idea that this volcano is erupting and causing a huge ash cloud across the island, under which the action takes place. It’s a critical sequence in the film, and one of the scenes where we decided to diverge significantly from the CDLs from set,” he concludes.    

“The final look was dark and subdued to illustrate the fact that the sun is being blocked out as our protagonists and the dinosaurs flee from the erupting volcano.”    

Press Photography  

Product photos of DaVinci Resolve Studio, DaVinci Resolve Advanced Panel and all other Blackmagic Design products are available at www.blackmagicdesign.com/media/images.    

About Blackmagic Design  

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmyâ„¢ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.