November 19, 2013, 10:55 AM
http://www.hollywoodreporter.com/behind-screen/hug...
In making Jean-Pierre Jeunet’s lastest film, The Young and Prodigious T.S. Spivet, stereographer Demetri Portelli was out to prove that 3D is creative, and that quality 3D footage could be shot on schedule and on budget. "3D is not just hitting a button in post," he told The Hollywood Reporter.
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