June 25, 2017, 03:04 PM
https://www.moviemaker.com/archives/moviemaking/ed...
Though his nomination for a Best Editing Oscar for Moonlight wasn’t as monumental as his co-editor Joi McMillon’s—she was the first African-American to receive a nod for the award—Nat Sanders’ collaboration with director and former classmate Barry Jenkins was equally instrumental in achieving the film’s breezy cutting style that offsets even its most brooding moments.
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