It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 4, 2014, 05:47 AM
http://www.fxguide.com/featured/3-of-the-best-the-...
It was the most watched Super Bowl ever – with 111.5 million viewers – and the 2014 event’s ads received not only high exposure during the game but also online. We break down three of the most popular commercials for Kia, AAA and Audi, and the visual effects teams from Digital Domain, MPC and The Mill who were behind them.
February 4, 2014, 05:46 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“...but the nurse film was more successful than the motorcycle film. It was a very simple decision at that point to make another nurse film.” — Producer/Director Roger Corman, Bright Lights, 1975 ...
February 4, 2014, 05:46 AM
http://www.borisfx.com/borisfxnews/2014/02/04/bori...
Fifteen years ago, The Matrix hit screens and changed special effects forever. Paul Ezzy honors its anniversary by decoding the opening title sequence with BCC 8 AE in Adobe Premiere Pro CS6 (or higher). Filters used: BCC Particle Emitter 3D, BCC Film … Continue reading →
February 3, 2014, 02:51 PM
http://lesterbanks.com/2014/02/folding-3d-layers-a...
Showing how you can create a folding animation using 3D layers in After Effects, Ridvan Maloku walks through creating this little animated title effect. Although it looks pretty straight forward, the interesting part is the fact that Ridvan has chosen to have the type fold on an angle.
February 3, 2014, 01:02 PM
http://lesterbanks.com/2014/02/effects-shape-layer...
Mt. Mograph shows how to use After Effects shape layers to create an animation that has the shape layers look like they fuse into one another. If you have seen the effects of “metaballs” in 3d, it is a similar effect in 2d, where the shapes look like they will bleed into each other with a bit of surface tension...
February 3, 2014, 05:50 AM
http://www.3dvf.com/actualite-8684-nuke-gerer-prem...
Joey Korenman présente pour The Foundry le concept de prémultiplication dans NUKE, et sa gestion en pratique. Un article
February 1, 2014, 02:16 PM
http://lesterbanks.com/2014/02/using-houdinis-expl...
Being that everything is pretty much procedural in SideFX Houdini, it can lend itself well for creating motion graphics animations. The issue is that Houdini is such an expansive application, although it may lend itself well to motion graphics, it does get a bit more involved than the relatively simple setups available in Cinema 4D.
February 1, 2014, 02:16 PM
http://www.youtube.com/watch?v=B9l0gTm0Ojw
Check out this fantastic VFX and Liquids reel created by the taented artists over atTrizz Studio! Trizz crafts CG liquids with amazing beauty. Even in 2013, ...
February 1, 2014, 08:15 AM
https://www.aotg.com/adobe-vs-stay-puft/
We have the weirdest occupational hazards: And here I always said that nothing ever happens in San José. [Props to our designer Shaun.]
January 31, 2014, 01:39 PM
http://www.borisfx.com/borisfxnews/2014/01/31/free...
Prep for the big game with your own ESPN-inspired animated lower third. Available for Adobe After Effects and BCC 8 AE users. Download yours today!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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