It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 28, 2013, 06:40 PM
http://filmmakeriq.com/2013/12/gravity-behind-the-...
See how script became film in Alfonso Cuarón’s Gravity in this featurette which interviews the director and crew on how they made the film.
December 28, 2013, 06:39 PM
http://lesterbanks.com/2013/12/after-effects-creat...
Still focusing on creating, rigging and animating a character’s face in After Effects, David Legion continues his series, this time showing how to use After Effects’ 3D layers and Mettle’s FreeFrom Pro Plugin to build a working animatable jaw for your character’s face.
December 28, 2013, 08:26 AM
http://www.cgchannel.com/2013/12/allan-mckay-posts...
VFX supervisor Allan McKay has posted a couple of interesting new free training videos on setting up visual effects pipelines, aimed at artists rather than programmers.
December 28, 2013, 08:25 AM
http://lesterbanks.com/2013/12/after-effects-creat...
Using a simple track or luma matte in After Effects, Mikey Borup shows how to create custom geometric transitions using Shape Layers in After Effects which will provide a sort of procedural approach to creating transitions.
December 27, 2013, 12:21 PM
http://lesterbanks.com/2013/12/after-effects-creat...
Creating a dramatic meteoric show and impact scene, Adrian C. Koutz shows how to use TrapCode Particular in After Effects to build fireballs and smoke trails, sharing tips for compositing to achieve as realistic a scene as possible.
December 27, 2013, 12:20 PM
http://www.artofvfx.com/?p=5765
Blur Studio presents their VFX breakdown for their work on the Prologue of THOR – THE DARK WORLD:
December 27, 2013, 12:20 PM
http://lesterbanks.com/2013/12/maya-creating-trans...
You may remember Riccardo Minervino form a while ago, creating the hyper-real images of Breaking Bad’s Walter White that went viral this past summer. Riccardo dropped me a note to tell me he had created a quick tutorial showing how to get transmission maps out of Autodesk Maya using V-Ray.
December 27, 2013, 05:38 AM
http://news.doddleme.com/blogs/post-production/gra...
If you’ve seen Alfonso Cuarón’s Gravity, you probably kept asking yourself, as I did, “Man, how the hell did they do that?!” That’s because the various rigs that filmmakers used to simulate the floating environment of deep space had never been done before…
December 27, 2013, 05:38 AM
http://motionworks.net/learning-c4d-r15/
Infinite Skills has released Learning Cinema 4D R15, new, beginner Cinema 4D training with Chris Martin.
December 27, 2013, 05:38 AM
http://news.creativecow.net/story/874030
(Los Angeles, California--December 27, 2013) LOOK Effects is proud to say that they produced the visual effects for Grudge Match. The film stars Robert De Niro and Sylvester Stallone and opened in theaters on December 25th.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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