It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 18, 2013, 01:10 PM
http://lesterbanks.com/2013/12/maya-file-import-sc...
Every wanted to see a thumbnail preview of files you are browsing through from an open dialog box in Autodesk Maya? -Ya, me too. Well, now with Peter Walters’ Maya Model Import Browser & Icon Tool you can.
December 18, 2013, 10:18 AM
http://www.artofvfx.com/?p=5673
During his last visit, Miklos Kozary have explained the work of Elefant Studios on WE ARE THE NIGHT. He then worked on the films DER EWIGE TOURIST, HELL or SOMEONE LIKE ME.
December 18, 2013, 10:18 AM
http://ae.tutsplus.com/tutorials/workflow/welcome-...
This 10-part series has been designed to help anyone starting out in the world of After Effects. In this episode, we’ll take a look at the various animation tools and how to activate animation for layer and effects properties. We’ll check out the Puppet Pin Tool and explore how it can be used to bring a still asset to life. Then we will take a look at Pre-composing layers and why this is important in After Effects. Finally, we’ll cover nested compositions and how to use them for more effic...
December 18, 2013, 10:18 AM
http://www.toolfarm.com/blog/entry/updates_red_gia...
Colorista II 1.1.0 and the Magic Bullet Looks 2.1.3 update include fixes so that each program will no longer pull black frames in the secondary keyer in Premiere Pro 7.2. Both of these tools are included in the Red Giant Color Suite.
December 18, 2013, 10:17 AM
http://lesterbanks.com/2013/12/after-effects-ae-sh...
Thanks to Michael Delaney, you can now affect and control the properties of multiple layers in After Effects through a master layer, much like the way the Cinema 4D Shader Effector operates in the MoGraph module.
December 18, 2013, 10:17 AM
http://www.macworld.com/article/2080928/apple-to-s...
Apple promised that it would ship the new Mac Pro in December, and it appears that it’s kept that promise: The distinctively cylindrical power machine will be available for order on Thursday, December 19, the company announced on Wednesday. Customers can place their orders via the Apple Online Store, at Apple retail stores, or select Apple Authorized Resellers.
December 18, 2013, 10:17 AM
http://www.cgchannel.com/2013/12/solid-iris-techno...
Solid Iris Technologies has previewed released Thea Render 1.3, the forthcoming upgrade to the hybrid renderer, which adds a new physical sky, camera Z-clipping for creating cutaway diagrams, and micro roughness.
December 18, 2013, 05:40 AM
http://www.flickeringmyth.com/2013/12/thor-dark-wo...
Last month we heard from Blur Studio co-founder and potential Deadpool director Tim Miller about his work on the prologue for this year's Marvel Studios solo sequel Thor: The Dark World, which sees Thor's grandfather Bor (Tony Curran) battling Malekith the Accursed (Christopher Eccleston) and Algrim the Strong (Adewale Akinnuoye-Agbaje).
December 17, 2013, 05:24 PM
http://postperspective.com/2013/12/galaxy-61-creat...
Price Chopper recently returned to Galaxy 61 to design and execute a campaign that kicked off the season with a pair of visually enticing spots to position the supermarket retail chain’s brand just right for the holidays.
December 17, 2013, 03:20 PM
http://www.btlnews.com/crafts/post-production/visu...
The Visual Effects Society (VES) has released a standardized interchange for camera reports, allowing essential visual effects information to be better captured and transferred through production into the postproduction visual effects arena. The VES worked in collaboration with leading VFX companies for more than a year to standardize data fields and specify data transfer formats and create a new universal system for providing reliable camera sheets and metadata. The format is open sourced a...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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