It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 20, 2013, 02:56 PM
http://postperspective.com/2013/11/review-maxon-ci...
Bumin Murray editor Brady Betzel calls this newest version “a beast of a release.” As we breached the 21 Century, I began my career in post production. I attended California Lutheran University in the little California suburb of Thousand Oaks. I was eager to learn every piece of software, all the tools, and every piece […]
November 20, 2013, 02:56 PM
http://lesterbanks.com/2013/11/maya-hzbs-custom-bl...
John HuangZhen offers up his freely available blendShape Management Tool for Maya, HZBS, which provides the tools to allow you to add corrective targets into Maya’s blendShapes with support for most geometry types including lattices.
November 20, 2013, 02:56 PM
http://filmmakeriq.com/2013/11/making-the-arc-reac...
Here’s a quick visual representation of the make-up and effects that went into making the Arc Reactor for Ironman and Avengers movies.
November 20, 2013, 02:55 PM
http://www.artofvfx.com/?p=5421
Whiskytree: Showreel October 2013
November 20, 2013, 12:01 PM
http://www.studiodaily.com/2013/11/after-effects-d...
For AE Tuts+, trainer Mikey Borup looks at a new feature in After Effects that promises better upscaling. Visit the original page for a downloadable video file (153 MB).
November 20, 2013, 12:00 PM
http://lesterbanks.com/2013/11/syntheyes-adds-a-ro...
Andersson Technologies LLC released SynthEyes 1311, adding 3D Planar Tracking capabilities to its already impressive suite of tracking and match moving tools, making it simple to track shots, using even a single planar tracker to define a camera or object path.
November 20, 2013, 12:00 PM
http://www.creativeplanetnetwork.com/adobe/adobe/u...
Stephen Lawes, creative director and co-owner of Cantina Creative and Cantina VFX Supervisor Venti Hristova raised the bar once again on the heads-up displays (HUDs) for Marvel’s Iron Man 3, which premiered in May and released on DVD in September. The film features Robert Downey Jr. as superhero Tony Stark, along with Gwyneth Paltrow...
November 20, 2013, 11:59 AM
http://www.tgdaily.com/augmented-reality/81936-the...
This real-time 3D Internet experience lets people see through the eyes of several animals including rats, bees, cats, dogs and hawks, as they wonder the streets of Paris.
November 20, 2013, 08:51 AM
http://www.definitionmagazine.com/journal/2013/11/...
“I’m a creative problem solver and my job is generally to extend the director’s vision beyond what is physically possible within the camera. As the Visual Effects Producer on The Wolf Of Wall Street I dealt primarily with budgets and logistics but also a great deal with the creative side.
November 20, 2013, 08:50 AM
http://lesterbanks.com/2013/11/cinema-4d-creating-...
Taking a page from his past project, Marco Holland shows how to create an animation of ice dropping into a glass in Cinema 4D using a simple dynamics setup so they will fill up the glass.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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