It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 16, 2013, 02:10 PM
http://lesterbanks.com/2013/11/after-effects-advan...
Advanced Composition Grids from Nik Ska will create a wide variety of grid systems in After Effects that are modular and completely customizable creating guide layers out of shape layer groups making the Advanced Composition Grids extremely useful.
November 16, 2013, 02:09 PM
http://lesterbanks.com/2013/11/maya-creating-an-an...
One of the greatest things I like about Maya is that it offers you the ability to have more than one approach to any given task, some can end up being more complicated than necessary and some are really simple and elegant. Simplicity is the technique at hand here, where Robert Joosten walks though how to create an animatable picot in Maya, using constraints.
November 16, 2013, 12:16 PM
http://www.vulture.com/2013/11/4-movie-special-eff...
Last week, when discussing the recent glut of superhero movies, we pondered whether the boom in computer-generated special effects was actually making those effects less special: Ten years ago, the CGI landscapes of Asgard in Thor: The Dark World would have been a stunning, ground-breaking sight, but now, they're just the norm for what we expect from $200 million movies.
November 16, 2013, 08:18 AM
http://news.creativecow.net/story/873621
Ability to Double License Capacity of its Render Farm For Free Lets Largest US Art School Process 70 Student Shorts in Just Six Weeks
November 15, 2013, 07:17 PM
http://3droundabout.com/2013/11/10617/prime-focus-...
The film opens like a 3D IMAX documentary. Astronauts floating in the largest void possible, space. The 3D draws us into an incredibly immersive 13 minute opening scene that culminates in the most intense destruction imaginable.
November 15, 2013, 07:15 PM
http://variety.com/2013/tv/news/emmy-awards-transi...
Academy of Television Arts and Sciences chairman-CEO Bruce Rosenblum has unveiled plans to transition to an online voting system. The two-year, two-step switchover will first cover the initial round of Emmy voting that determines the nominees across all categories. But in 2015, online voting will be extended to all rounds of Television Academy’s Emmy voting process, determining nominees and winners in all categories. A paper ballot will also be distributed to ATAS’ 16,300 voting members duri...
November 15, 2013, 07:15 PM
http://filmmakeriq.com/2013/11/the-making-of-the-h...
Go behind the scenes of how they crafted the flying cityscape and HBO starship of the network ID from 1983
November 15, 2013, 02:55 PM
http://postperspective.com/2013/11/netapp-and-teks...
NEW YORK — Over the last 30 days, NetApp has been meeting casually with users and potential users on both coasts. During SMPTE in Los Angeles, they hosted a dinner with CTO/engineers from a variety of large post houses and film studios. Last week in New York City, they held a cocktail party in conjunction […]
November 15, 2013, 10:38 AM
http://www.premiumbeat.com/blog/neon-light-tutoria...
Create a super realistic neon lighting effect using Cinema 4D and After Effects - perfect for title treatments!
November 15, 2013, 10:37 AM
http://ryansalazar.net/index.php/2013/11/the-mill-...
See on Scoop.it – Broadcast Beat Magazine, Daily EditionHere’s a contender for VFX show reel of the year—The Mill absolutely nails the art of the reel, from first shot to last. Click through to Vimeo for a list of sources.See on www.studiodaily.com
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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