It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 13, 2013, 02:27 PM
http://feedproxy.google.com/~r/industryhappenings/...
Behind the scenes of DI and 4K finishing on Elysium Following the success of the presentation in Hollywood, FilmLight, Central and Dolby are excited to bring Crafting the Future to Vancouver. Join lead colorist, Andrea Chlebak, to step through the process of pre-visualizing Elysium’s two worlds, pre-grading VFX plates, and realizing the final aesthetic that […]
November 13, 2013, 02:27 PM
http://feedproxy.google.com/~r/deysonortiz/feed/~3...
FREE FCPX and Motion Template Modules for you I am very excited to announce new Template Modules for Final Cut X and Motion 5. These modules are of small animations that you can customize in FCPX and layer them to create a video. First launch will include 7 modules, but more will be added to […]The post New FREE template modules coming soon! appeared first on Deyson Ortiz.
November 13, 2013, 02:27 PM
http://feedproxy.google.com/~r/ItsAliveInTheLab/~3...
Tomorrow you will truly be able to say: A funny thing happened on the way to the forum. It was down. Most of the Autodesk Labs technology previews have an associated Autodesk discussion forum. I love it when users who... (...)
November 13, 2013, 05:38 AM
https://vfxsoldier.wordpress.com/2013/11/12/the-di...
I’ve been reading with interest about the current debate on film subsidies in New Zealand: NZ VFX house DigiPost sits empty as it is faced with either liquidation or moving operations to the UK if subsidies are not increased. There are encouraging discussions about trying to localize the subsidies to avoid a race to the bottom. However the article I found most profound was this...
November 12, 2013, 09:36 PM
State of the Union is a short teaser by Bruce Branit who's claims to fame are the shorts, 405 and World Builder. State of the Union is a sizzle reel for an intended feature currently in early stages of funding and pre-production.
#vfx#indie#fusion#max#fume#lightwave#shortNovember 12, 2013, 08:07 PM
http://www.framestore.com/work/gravity
VFX Supervisor Tim Webber oversaw the creation of the ground-breaking visuals for Alfonso Cuarón’s Gravity, Framestore’s most ambitious project to date, in which the only real elements are often the actors’ faces.
November 12, 2013, 08:07 PM
http://blogs.indiewire.com/theplaylist/crap-3d-wil...
You may not find a more agreeable aspect this cinematic year than that of Alfonso Cuaron's masterful use of 3D in “Gravity” alongside DP Emmanuel Lubezki. Even going so far as to briefly reverse the opinion of staunchly anti-3D film critic Mark Kermode, the hit space drama is one of the few to further the format rather than cheapen it. Such acclaim affords a good measure of credibility to the discerning opinions coming from those behind the scenes, and stereo supervisor Chris Park has gone a...
November 12, 2013, 08:07 PM
http://effectscorner.blogspot.ca/2013/11/vfx-and-a...
Visual effects and animation students or graduates who feel they were misled by the school they went to regarding vfx and animation jobs, their ability, learning, etc. This is global so whether you're in US or India or other location if you think the school took advantage of you please let me know.
November 12, 2013, 08:06 PM
http://lesterbanks.com/2013/11/after-effects-time-...
Using After Effects’ Time Displacement effect to control how the transition appears, Emanuele Colombo shows how to build animating triangles in AE, using vector shapes to create an interesting Triangular Transition effect.
November 12, 2013, 08:05 PM
http://www.davidbordwell.net/blog/2013/11/12/gravi...
Kristin here: In my previous entry, I described Gravity as an experimental film. I had thought of it that way ever since seeing trailers for it online back in mid-September. I described it as reminding me “of Michael Snow’s brilliant Central Region, but with narrative.” Last time I developed that notion in more detail and [...]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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