It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 4, 2013, 11:09 AM
http://lesterbanks.com/2013/11/cinema-4d-strategie...
Providing some tips for reducing the number of edge loops in a model, Jamie Hamel-Smith shares some strategies for maintaining good geometry with a demonstration of couple of simple techniques.
November 4, 2013, 11:09 AM
http://lesterbanks.com/2013/11/cinema-4d-using-the...
Covering the new features of VRayforC4D 1.8, Josef Bsharah takes a look at the new feature of the V-Ray Multi-Shader which will allow you to use different textures and shaders and apply them to various Object IDs in your render.
November 4, 2013, 11:07 AM
http://blogs.adobe.com/creativelayer/dylan-roscove...
Dylan Roscover illustrates, programs and designs. Hailing from the Rocky Mountains of Colorado, and currently residing in Los Angeles, he bridges the gap between art and technology—man and machine—to take his work in thoughtful and timeless directions. We caught up with him after his session at our San Francisco Create Now event; he spoke with us about controlled chaos, working without the burden of time, and how things are always more epic when we’re young. When did you know that you...
November 4, 2013, 11:06 AM
http://postperspective.com/2013/11/maxon-upgrades-...
FRIEDRICHSDORF, GERMANY – Maxon (www.maxon.net), makers of 3D modeling, painting, animation and rendering solutions, has upgraded its Cineware offering now available in the latest version of Adobe After Effects CC. The enhancements further the strategic relationship between Maxon and Adobe to deliver improved integration and performance between Maxon’s 3D application, Cinema 4D, and Adobe’s After […]
November 4, 2013, 09:46 AM
https://www.aotg.com/vfx-breakdown-4/
Battleship & Transformers 3 VFX (Visual Effects)
November 4, 2013, 05:37 AM
http://nofilmschool.com/2013/11/techniques-that-ca...
For filmmakers who enjoy making effects-heavy movies, be it a horror, sci-fi, or any genre variant really, it can be challenging to find ways that make those effects more believable to your audience. And when getting really good VFX often means having access to expensive software and/or a talented effects artist, the no/low-budget filmmaker who can’t afford them needs to get creative, even a little magical when putting together a film. MovieMaker Magazine shares a few tips that will help blen...
November 4, 2013, 05:35 AM
http://ryansalazar.net/index.php/2013/11/ves-summi...
Next week when Lionsgate’s Ender’s Game opens in theaters, the visual effects community will be watching to see if the nontraditional model of a VFX house coming on board in a co-producer role—which lead VFX house Digital Domain did with Ender’s—is…See on www.hollywoodreporter.com
November 3, 2013, 03:46 PM
http://www.creativebloq.com/career/clients-love-yo...
In the creative industry, a good rep is worth its weight in gold. But what really keeps clients happy? We pass on some revealing truths...
November 3, 2013, 05:41 AM
http://bigthink.com/in-their-own-words/how-much-mo...
Businesses are reaching the limits of what they can squeeze out of a downsized workforce.
November 3, 2013, 05:40 AM
http://news.creativecow.net/story/873455
(Venice, California--November 3, 2013) Digital Domain 3.0 has promoted Academy Award®-winning VFX SupervisorEric Barba to Chief Creative Officer/Senior Visual Effects Supervisor. In his expanded role, Barba, a 17-year Digital Domain veteran, will help to drive the development of creative-side relationships for the company, guide creative practices and oversee the development of branded materials for the company’s marketing efforts. He will continue to work on individual feature films as a VFX...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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