To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cinematic Tips: Shooting 35mm with the Filmmakers of “Wake”

January 20, 2022, 08:47 AM

https://www.premiumbeat.com/blog/mr/shooting-35mm-...

Peek behind the scenes of this beautifully-composed short film, shot on 35mm film, in this candid interview with Liam Higgins.

Working With the Xpresso Rotate Node in C4D

January 20, 2022, 08:47 AM

https://lesterbanks.com/2022/01/working-with-the-x...

Expresso Mechanic TV looks into the Xpresso rotate node found within the presets. A new tutorial from Expresso Mechanic TV covers using another system presets in Xpresso. The tutorial shows how helpful the Xpresso Rotate Node is

Virtual Production Glossary Launched by Industry Experts

January 20, 2022, 08:47 AM

https://postperspective.com/virtual-production-glo...

The Virtual Production Glossary has launched today as part of an industry-wide effort to establish common vocabulary across professionals working in virtual production. The database was established through a collaboration between the Visual Effects Society (VES), the American Society of Cinematographers (ASC), and a host of industry experts,  Continue reading → January 19, 2022 The post Virtual Production Glossary Launched by Industry Experts appeared first on postPerspective.

Understanding Blender Drivers as an After Effects User

January 20, 2022, 08:47 AM

https://lesterbanks.com/2022/01/understanding-blen...

Ukramedia covers the similarities of working with Drivers in Blender, like writing expressions in Ae. Ukramedia’s Sergei Prokhnevskiy shows how you can write expressions in Blender like you can if you work in After Effects. Sergei

The End of Dual Socket Workstations?

January 20, 2022, 08:46 AM

https://postperspective.com/the-end-of-dual-socket...

By Mike McCarthy I have always been a fan of top-end computer systems. Truth be told, the reason I originally got involved with digital video production back in high school was because it was the coolest thing you could do with computers. Multi-processor systems have fascinated me since I ordered a dual-socket Pentium III motherboard from the Tiger Direct catalog in 2000. Continue reading → January 19, 2022 The post The End of Dual Socket Workstations? appeared first on postPerspective.

Making Matrix Resurrections Evolved Sound wit

January 20, 2022, 08:45 AM

https://www.asoundeffect.com/matrix-resurrections-...

Sound supervisor Dane A. Davis had the unique opportunity of reworking his sound design on The Matrix for Matrix Resurrections. And sound supervisor Steph Flack, who started with Matrix Reloaded, talks about the evolution of dialogue quality on the film franchise. They also provide in-depth discussions on their approach to the Synthients, Exo-Morpheus, super bullet time, and much more.

VFX Tax Scheme Lures The Last Duel

January 20, 2022, 08:45 AM

https://variety.com/2022/film/filming-locations/fr...

Recognizing that international productions would often shoot a handful of sequences in France before moving post-production responsibilities abroad, the French government passed a series of reforms to the country’s tax rebate scheme in early 2020 meant to spur on and encourage foreign investment.

Building Your Editing Grading Suite in a Hotel R

January 20, 2022, 08:44 AM

https://ymcinema.com/2022/01/20/building-your-edit...

Editing and grading in a hotel room might be a tricky task. First, you need a decent space which not every hotel may offer you that. Second, you need to bring your editing and grading tools with you during your travel which can cause a bit of a hassle. However, in some scenarios, it may facilitate your post-production workflow while you travel, and save you time when arriving home. Let’s talk about that.

Around the World in 80 Days Episode 2 VFX Breakdo

January 20, 2022, 08:44 AM

https://www.artofvfx.com/around-the-world-in-80-da...

Let’s continue the epic journey of the Gentleman adventurer Phileas Fogg with MPC Film & Episodic showing their work on the second episode of Around the World in 80 Days...

Review M1 Max MacBook Pro After Three Months

January 20, 2022, 08:44 AM

https://www.macrumors.com/2022/01/19/m1-max-three-...

It's now been a few months since the M1 Pro and M1 Max MacBook Pro models launched in October, and MacRumors video editor Dan Barbera has been using one of the new machines since they debuted. Over on the MacRumors YouTube channel, Dan has shared a three month review of his MacBook Pro to see how it has held up over time and how it's changed his workflow.

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