It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 29, 2013, 07:05 PM
http://www.tuaw.com/2013/10/29/a-look-back-at-appl...
During Apple's earnings conference call yesterday, Tim Cook noted that Apple during the fiscal 2013 year acquired a total of 15 companies.Historically,
October 29, 2013, 07:04 PM
http://lesterbanks.com/2013/10/after-effects-creat...
Adrian C. Koutz shows how to make a 3D holographic effect, similar to a holographic print on a trading card in After Effects creating a 3D representation that will have the proper parallax.
October 29, 2013, 12:31 PM
http://www.youtube.com/watch?v=eonxRMFsdJo&feature...
Premiere Pro/After Effects Tutorial: Cutout Titles w/ Dissolve Create a FREE account with Dissolve to receive 3 FREE HD clips: http://dissolve.com/?link=NF9864 Dissolve is a royalty free HD stock footage where you can pu... From: NLE_Ninja Effects Views: 2 0 ratings Time: 05:47 More in Film & Animation
October 29, 2013, 12:30 PM
http://lesterbanks.com/2013/10/maya-tips-for-prese...
Shaun Keenan provides some tips for showcasing your Maya rigs showing some of the methods you can use to generate geometry from curves and getting all the bits of the rig to render in the presentation.
October 29, 2013, 09:57 AM
http://www.btlnews.com/crafts/visual-fx/mark-kochi...
Visual effects artist Mark Kochinski has spent more than six years working with a team of about 15 volunteers on the upcoming documentary film Lost Hero: The Search for Dr. Obsidian.
October 29, 2013, 09:56 AM
http://www.firstshowing.net/2013/vfx-supervisor-ce...
Over the past year, Summit Entertaimnent's reboot of Highlander has lost both its director, Juan Carlos Fresnadillo (28 Weeks Later), and star Ryan
October 29, 2013, 09:56 AM
http://www.toolfarm.com/blog/entry/tutorial_whats_...
It’s Tutorial Tuesday! This tutorial was recorded at the Half Rez 2013 meetup in Chicago.
October 29, 2013, 09:54 AM
http://ae.tutsplus.com/tutorials/workflow/nuke-in-...
In this part, we'll take a look at the tools available in Nuke for pulling a key. We'll step through various tools and explore many of the strengths and
October 29, 2013, 04:32 AM
http://filmmakeriq.com/2013/10/selective-glow-fx-t...
Have you ever needed to add a glow to a specific color? Like an explosion, or signal light without affecting the rest of the image. In this short tutorial Andrew Kramer of VideoCopilot shows technique that will allow you add a glow to a specific color only and avoid the color mixing that occurs when using traditional luminance based glows.
October 28, 2013, 06:12 PM
http://library.creativecow.net/kaufman_debra/VFX_J...
Creative COW recently had the great pleasure of speaking to visual effects pioneer John Dykstra, whose work first came to prominence on the original Star Wars. Dykstra received his first Academy Award for his work on Star Wars, and, the same year, won an Academy Scientific and Engineering Award for the Dykstraflex motion-control camera that made so many of Star Wars' effects possible. Join us as he shares behind the scenes on Star Wars, speaks about his transition from an artist to a VFX supervi...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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