It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 18, 2013, 10:05 AM
http://cinefex.com/blog/cinefex-review-europa-repo...
Studios prefer our editorial to coincide with the releases of their movies, some of which are very far from finished when we start hounding the filmmakers. And it can be a high-wire act to predict what films are worth covering. Sometimes we strike out, covering real stinkers. Occasionally, we’ll delay coverage if we figure it will be worth the wait. Once in a while, we have to let some gems pass us by.
October 18, 2013, 10:05 AM
http://www.digitalmedia-world.com/VFX/cutting-edge...
As one of the key figures in the establishment and subsequent success of Fuel VFX, Simon brings to Cutting Edge extensive experience and creative talent. According to Simon, joining Cutting Edge represents a significant creative opportunity to produce outstanding work. "I'm excited by making things that are new,” he said. “In an industry that is always rapidly moving forward, it's a wonderful challenge to try to harness that. In my opinion, if it's never been seen before and it gets peoples'...
October 18, 2013, 09:02 AM
http://jonnyelwyn.co.uk/podcast/the-making-of-grav...
For a comprehensive round up of all the best making of videos, interviews, photos and articles on the production, post, visual effects, sound design and score of Alfonso Cuaron's heartstopping Gravity - click through!
#behind the scenes#interviews#gravity#making of#sound design#visual effects breakdownsOctober 18, 2013, 04:51 AM
http://rendaastudios.com/2013/10/17/free-cinema-4d...
Creating After Effects Templates has taken up pretty much all of our available time over the past few months, meaning the Tutorials section has fallen out of favour a little. Hopefully that’s all about to change. Over the coming months we’ll be producing more After Effects, Final Cut Pro and Photoshop Tutorials / Quick Tips whilst continuing to produce affordable After Effects Templates.
October 18, 2013, 04:51 AM
http://news.creativecow.net/story/873255
VFX Artist Will Discuss His MoCap Work On Upcoming “Night of the Living Dead: Origins 3D” At Previz Session
October 17, 2013, 05:02 PM
http://www.awn.com/news/business/vfx-exec-jeff-bar...
CafeFX co-founder Jeff Barnes partners with Portland-based digital production and animation studio Bent Image Lab to oversee the company’s new Digital Media Group.
October 17, 2013, 10:06 AM
http://www.btlnews.com/crafts/visual-fx/athena-stu...
Emeryville, Calif.-based company, Athena Studio, which specializes in production and animation services for film and multimedia clients, and the Visual Effects Society (VES)/Bay Area, recently partnered to restore a legendary, Star Wars-era short film titled Black Angel. Black Angel was thought to be missing for more than 30 years. It was last seen in theaters across Europe and Australia in 1980 as a lead-in to The Empire Strikes Back. It made its North American premiere this past week befor...
October 17, 2013, 10:06 AM
http://www.postmagazine.com/Press-Center/Daily-New...
PORTLAND, OR — Bent Image Lab (www.bentimagelab.com) has brought in VFX executive Jeff Barnes to oversee the company’s new digital media group. Barnes is a co-founder of CafeFX, The Syndicate and past Digital Domain VP. He will now work with the Bent team to develop creative messaging for alternative medium portals such as cell phones, tablets, touch screens and special venue experiences implementing AR, pixel mapping and other new technologies. He will also provide management and busin...
October 17, 2013, 10:03 AM
http://www.creativebloq.com/after-effects/best-aft...
To switch on the real power of After Effects, install these plugins. Christopher Kenworthy shows how third-party software makes the most of Adobe’s motion graphics package.
October 17, 2013, 10:02 AM
http://lesterbanks.com/2013/10/cinema-4d-mograph-c...
Matt Milstead demonstrates how to use Cinema 4D’s MoGraph Cloners to create condensation on a glass bottle, with a look at modeling texturing and rendering a soda bottle scene.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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