To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Big Sound of F9: The Fast Saga

July 29, 2021, 09:04 AM

https://postperspective.com/the-big-sound-of-f9-th...

By Patrick Birk The Fast & Furious series made an explosive return to theatres last month, with director Justin Lin’s latest addition, F9: The Fast Saga. The film sees the return of Vin Diesel as Dom Torretto, accompanied by an ensemble cast that includes Michelle Rodriguez, Chris “Ludacris” Bridges, Continue reading → July 28, 2021 The post The Big Sound of F9: The Fast Saga appeared first on postPerspective.

Capturing the Sound of Winston Dukes World in Ni

July 29, 2021, 09:02 AM

https://variety.com/2021/artisans/news/nine-days-w...

Mayabot, the virtual host of the new introductory tutorial in Maya 2022.1, the feature list for which has just been announced. The Mayabot rig is included free with Autodesk’s 3D modelling and animation software.

James Parnell Talks Mixing Season 2 of Netflix’s Trinkets

July 28, 2021, 09:22 AM

https://postperspective.com/james-parnell-talks-mi...

By Randi Altman Monkeyland Audio supervising sound editor and re-recording mixer James Parnell has been working on a variety of high-profile TV and film projects, including the Oscar-winning film Moonlight, Hulu’s PEN15 and the recent Tribeca film Lorelei. He was recently nominated for a Daytime Emmy, Continue reading → July 27, 2021 The post James Parnell Talks Mixing Season 2 of Netflix’s Trinkets appeared first on postPerspective.

How to Choose an Audio Interface

July 27, 2021, 08:41 AM

https://www.uaudio.com/blog/how-to-choose-an-audio...

There’s a lot to consider when choosing an audio interface. While it may seem like a big list of things to keep straight, it isn’t. Here are three questions to help identify the perfect interface for your needs.

169 – Building a Backyard Studio Roundtable

July 14, 2021, 09:13 AM

https://tonebenderspodcast.com/169-building-a-back...

Al Sirkett and Lucy Mitchell tell us about their experiences building new stand alone studio spaces in their backyards. They tell us everything they learned,…

ReRecording Mixer James Parnell Talks Working on

July 13, 2021, 09:18 AM

https://www.comingsoon.net/movies/features/1181715...

Daytime Emmy Nominated re-recording mixer James Parnell was nominated for his work on Netflix’s Trinkets. As such, we decided to speak to him about the challenges and rewards of working on this series.

New York Film Academy Relies on DaVinci Resolve’s Fairlight for Audio Post Course

July 8, 2021, 12:51 PM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced that DaVinci Resolve’s Fairlight audio post production tools are being used by New York Film Academy’s Los Angeles campus as part of the sound department’s curriculum. The software helped Head of the Sound Department, Huch Platt, and his students pivot to remote learning in 2020 when they needed to quickly find a way to access professional post production tools at home.

#blackmagic design#davinci resolve#fairlight
Academy Award-winning Sound Designer of "Hugo" Eugene Gearty Talks Sound in Film

July 8, 2021, 09:05 AM

http://manhattaneditworkshop.blogspot.com/2021/07/...

Oscar-winning sound designer Eugene Gearty, joined Filmmaker U to discuss staying focused during the COVID-19 pandemic, getting the job you want, and to answer our questions about the world of Sound in film.  If you want to learn more directly from Eugene on his processes, his insights and his vast amount of experiences; check out our online class with Eugene here.Starting in 1982 Eugene Gearty was one of the first digital Sound Editor/Designers in the film industry. He pioneered the use of ...

1 9 10 11 12 13 398

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.