To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Editing Netflix’s The Lost Daughter: Affonso Gonçalves
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By Randi Altman Maggie Gyllenhaal’s feature film directorial debut, The Lost Daughter, takes viewers on a journey that bridges the present and the past. Set in a European beach town, Olivia Colman plays a middle-aged professor on vacation who becomes obsessed with a group of Americans — in particular, a young mother (Dakota Johnson) and her daughter. Continue reading → January 18, 2022 The post Editing Netflix’s The Lost Daughter: Affonso Gonçalves appeared first on postPerspecti...
The Morning Watch Pixars Soul Storyboard Compari
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20th Annual VES Awards The Nominees
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The Visual Effects Society has announced yesterday the nominations for the 20th Annual VES Awards!
Cowboy Bebop VFX Breakdown by Outpost VFX The A
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https://www.artofvfx.com/cowboy-bebop-vfx-breakdow...
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Dune and Encanto Lead VES Award Nomina
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An international crime adventure, “Red Notice” follows FBI profiler John Hartley (Dwayne Johnson) as he pursues art thief Nolan Booth (Ryan Reynolds). Hartley must partner with Booth to catch “The Bishop” (Gal Gadot), an elusive art thief herself who is attempting to steal a trio of priceless bejeweled artifacts known as Cleopatra’s Eggs. Shot by Markus Förderer, ASC, the film is set in exotic locations around the world including Rome, Valencia and the jungles of Argentina.
#blackmagic design#davinci resolve studioEditing the animated documentary Flee
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https://www.aotg.com/editing-the-animated-documentary-flee/
Gordon sits down with editor Janus Billeskov Jansen to discuss editing the groundbreaking documentary Flee.
The new Tourbox, it’s Elite but is it perfect?
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You might remember the Tourbox, the palm sized control surface? I’ve covered it previously on RedShark and now after a successful Kickstarter campaign Tourtech are releasing a new version of the Tourbox, this time called The Elite priced from $178.
How to Remap Using UV Coordinates With Arnold
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Lee Griggs shows how you can remap and mess up an image using the uv_coords attribute. Many of us have wondered how Arnold Rendering Specialist Lee Griggs creates some of those far-out images. This latest short tutorial
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