It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 3, 2018, 12:36 PM
https://postperspective.com/creating-snow-hair-env...
By Randi Altman The legend of Bigfoot: a giant, hairy two-legged creature roaming the forests and giving humans just enough of a glimpse to freak them out. Sightings have been happening for centuries with no sign of slowing down — seriously, Google it. But what if that story was turned around, Continue reading → October 3, 2018 The post Imageworks provides big effects, animation for Warner’s Smallfoot appeared first on Randi Altman's postPerspective.
October 3, 2018, 06:24 AM
https://www.allanmckay.com/160/
This is Allan McKay. Welcome to Episode 160! This is going to be a bit of different Episode. One of the key things I’ve gotten hundreds of emails about are from people who are not in a creative industry — but who want to pursue their dream of being an artist: Having their creative outlet not just be a hobby but their career!
October 2, 2018, 12:45 PM
https://vfxblog.com/2018/10/02/siggraph-asia-in-to...
It’s not long now until SIGGRAPH Asia hits Tokyo. The computer graphics event begins December 4th, and runs at the Tokyo International Forum until December 7th.
September 30, 2018, 06:32 AM
https://www.nycppnews.com/powerhouse-vfx-rises-to-...
Buoyed by a string of high-profile film and television projects, PowerHouse VFX has quickly solidified its place as an industry leader on New York’s VFX scene. Founded last year by Emmy Award-winning visual effects supervisor Ed Mendez, executive producer Bob Lowery and chief engineer Eric Zeller, the studio is adding significant talent in all departments as it gears up for current and future assignments, notably the M. Night Shyamalan film Glass, where it’s serving as sole visual effects pr...
September 30, 2018, 06:32 AM
http://www.cgw.com/Publications/CGW/2018/Volume-41...
Networks, cable television, and streaming programming platforms are all offering a rich pool of visual effects opportunities for studios across the globe. Whether it's women transformed into mermaids, a hit man turned hero who gets help from a CG sidekick, the unraveling of decades-old mysteries and secrets in a small German town, a retired superhero who recharges his powers to aid his community, or another optimistic superhero in a blue tick suit dedicated to saving his city, studios around the...
September 29, 2018, 06:48 AM
https://lesterbanks.com/2018/09/mari-extension-pac...
Jens Kafitz Shows Off Working With Text in Mari Through a New Type Tool that Comes With Mari Extension Pack 4R1 and 4R2. Extension Pack collects scripts and tools for Mari artists with workflow-enhancing and
September 29, 2018, 06:48 AM
https://news.creativecow.net/story.php?id=894362
(Los Angeles, CA--September 27, 2018) Today, the Visual Effects Society (VES), the industry’s global professional honorary society, announced the 2018 class of VES Fellows. The Fellows distinction, bestowed by the VES Board of Directors, signifies that the individual has maintained an outstanding reputation and has made exceptional achievements and sustained contributions to the art, science or business of visual effects, as well as enabling members’ careers and promoting community worldwide...
September 28, 2018, 10:23 AM
https://www.aotg.com/muse-vfx-uses-fusion-studio-on-fx-networks-legion/
Blackmagic Design today announced that Los Angeles based visual effects (VFX) house Muse VFX used Fusion 9 Studio, its VFX and motion graphics software, on FX’s critically acclaimed drama Legion.
#blackmagic design#fusion studioSeptember 28, 2018, 09:00 AM
https://www.artofvfx.com/the-predator-vfx-work-by-...
Be sure to look at the before & after pictures by Method Studios (formerly Atomic Fiction) about their work on THE PREDATOR...
September 28, 2018, 05:01 AM
http://www.animationmagazine.net/people/visual-eff...
The Visual Effects Society (VES), the industry’s global professional honorary society, has announced the 2018 class of VES Fellows. The distinction, bestowed by the VES Board of Directors, signifies that the individual has maintained an outstanding reputation and has made exceptional achievements and sustained contributions to the art, science or business of visual effects, as well as enabling members’ careers and promoting community worldwide and by providing sustained service to the VES wh...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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