It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 11, 2018, 09:36 AM
http://www.artofvfx.com/pirates-of-the-caribbean-d...
Cool making of featuring Overall VFX Supervisor Gary Brozenich and MPC VFX Supervisor Sheldon Stopsack about the Ghost Sharks for PIRATES OF THE CARIBBEAN – DEAD MEN TELL NO TALES...
September 10, 2018, 01:44 PM
https://www.awn.com/news/game-thrones-alienist-win...
LOS ANGELES -- The Television Academy presented the first of its two 2018 Creative Arts Emmy Awards Ceremonies honoring outstanding artistic and technical achievement in television on Saturday night at the Microsoft Theater in Los Angeles. The ceremony, which kicked-off the 70th Emmys, awarded many talented artists and craftspeople in the categories of animation, scripted programming including comedy, drama and limited series.
September 7, 2018, 09:14 AM
http://www.cgw.com/Press-Center/Web-Exclusives/201...
Rodeo FX worked on 70 shots featured in the new Columbia Pictures film Sicario: Day of the Soldado. Directed by Stefano Sollima, the film continues the story started in Denis Villeneuve’s 2015 film Sicario. In the new release, a black ops team – helmed by Matt Graver (Josh Brolin) and Alejandro (Benicio Del Toro) – attempts to instigate a civil war among Mexico’s violent cartels.
September 7, 2018, 09:14 AM
http://www.cgw.com/Press-Center/Web-Exclusives/201...
With the return of one of cinema’s most beloved heroes, Han Solo, in his own origins story, Solo: A Star Wars Story , Disney and Lucasfilm give audiences a look at the iconic character’s early life in the criminal underground world, his initial meeting with future co-pilot Chewbacca, and first encounters with the gambler Lando Calrissian.
September 7, 2018, 09:14 AM
http://www.cgw.com/Press-Center/Web-Exclusives/201...
The latest title in the Marvel Studios Universe, Ant-Man and the Wasp takes place between the events of Captain America: Civil War and Avengers: Infinity War . It finds Scott Lang under house arrest in San Francisco trying to balance fatherhood with superherohood when a mission teams him with Hope Van Dyne as the new Wasp.
September 7, 2018, 05:29 AM
http://www.artofvfx.com/westworld-season-2-vfx-bre...
Swedish studio Important Looking Pirates has released this VFX Breakdown about their work on the second season of WESTWORLD...
September 6, 2018, 12:47 PM
http://www.artofvfx.com/the-meg-vfx-breakdown-by-i...
Image Engine presents their work on THE MEG...
September 4, 2018, 04:34 PM
https://www.allanmckay.com/156/
This is Allan McKay. Welcome to Episode 156! I’m talking about the one thing more important than your demo reel. We’re going to get into some really cool stuff.
September 4, 2018, 09:34 AM
https://www.mpaa.org/2018/09/the-meg-vfx-breakdown...
The Meg was one of this summer’s more joyous films, giving us Jason Statham, a massive shark, and breakout star Kelly the dog (an actual dog). The movie was fun, silly, and again, had a 75-foot long prehistoric shark (the Megalodon, hence the film’s title) going tooth-to-toe with Statham’s deep-sea rescue diver Jonas Taylor. Now, we’ve got a look at how effects shop Scanline VFX helped create some of The Meg‘s wildest visuals, including the titular beast itself. While there are a ton o...
September 3, 2018, 09:43 AM
http://www.artofvfx.com/avengers-infinity-war-weta...
Nice video by BBC Click featuring VFX Supervisor Matt Aitken talking about the work of Weta Digital for AVENGERS – INFINITY WAR...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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