It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 30, 2018, 12:14 PM
http://fxrant.blogspot.com/2018/08/cinefex-spotlig...
I was profiled by my favorite visual effects magazine Cinefex for their Spotlight series. I'm really proud of the things that I said.
August 30, 2018, 12:14 PM
http://fxrant.blogspot.com/2018/08/podcast-i-was-o...
I joined my friends Merlin Mann and John Siracusa for a special episode of their podcast, Reconcilable Differences. It's a very special "Members Only" episode, available to Relay FM subscribers.
August 29, 2018, 04:37 PM
https://postperspective.com/review-mobile-filmmaki...
By Brady Betzel There is a lot of what’s become known as mobile filmmaking being done with cell phones, such as the iPhone, Samsung Galaxy and even the Google Pixel. For this review, I will cover two apps and one hybrid hard drive/mobile media ingest station built specifically for this type of mobile production. Continue reading → August 29, 2018 The post Review: Mobile Filmmaking with Filmic Pro, Gnarbox, LumaFusion appeared first on Randi Altman's postPerspective.
August 29, 2018, 04:37 PM
https://postperspective.com/artifex-provides-vfx-l...
Vancouver-based VFX house Artifex Studios created CG amputation effects for the lead character in Blumhouse Productions’ new series for Facebook Watch, Sacred Lies. In the show, the lead character, Minnow Bly (Elena Kampouris), emerges after 12 years in the Kevinian cult missing both of her hands. Artifex was called on to remove the actress’ Continue reading → August 29, 2018 The post Artifex provides VFX limb removal for Facebook Watch’s Sacred Lies appeared first on Randi Altman...
August 29, 2018, 12:37 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Cinesite London (www.cinesite.com) delivered 215 VFX shots for Avengers: Infinity War, Marvel Studios’ record-breaking blockbuster. Led by VFX supervisor Andrew Morley, the London-based studio was responsible for delivering some of the film’s most thematically important and technically difficult CG shots and characters, including Ebony Maw’s torture of Doctor Strange, the Iron Spider suit and the Avengers’ first encounter with the Guardians.
August 28, 2018, 03:48 AM
http://www.artofvfx.com/avengers-infinity-war-vfx-...
Weta Digital presents their work on Thanos and the big fight on Titan for AVENGERS – INFINITY WAR...
August 27, 2018, 09:38 AM
https://www.mpaa.org/2018/08/avengers-infinity-war...
There were a lot of bleak moments in Avengers: Infinity War. There was that ending, of course, but that goes without saying. There were a lot of brutal moments leading up to the infamous Thanos snap. One moment, in particular, was watching Ebony Maw torture Doctor Strange.
August 27, 2018, 06:14 AM
https://www.aotg.com/stranger-things-season-2-vfx-making-of/
The team of STRANGER THINGS talks about the VFX work (made by Atomic Fiction, Hydraulx, Crafty Apes and more) on the second season.
August 24, 2018, 08:21 AM
https://www.aotg.com/2036-origin-unknown-uses-davinci-resolve-studio/
Blackmagic Design today announced that post production, including an innovative live visual effects (VFX) workflow, for sci fi adventure, "2036 Origin Unknown," was delivered in DaVinci Resolve Studio by editor Will Steer and Goldcrest Post colorist Maria Chamberlain.
#editing#vfx#color grading#post productionAugust 23, 2018, 06:59 AM
http://www.artofvfx.com/adrift-vfx-breakdown-by-mi...
Interested to know how Milk Visual Effects created the ocean and storm for ADRIFT? Then don’t miss this excellent VFX Breakdown!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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