To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Cinefex Vault #13 – 50 First Dates

August 15, 2018, 12:28 PM

http://cinefex.com/blog/50_first_dates/

While it is a popular maxim that ‘Dying is easy; comedy is hard,’ visual effects supervisor Sheena Duggal has had her share of films containing both. Death and destruction have included Marvel’s Agent Carter television series, Ridley Scott’s Body of Lies and The Hunger Games; comedies have included the first Sex and the City feature, Christmas with the Kranks, and the Adam Sandler vehicles Big Daddy and 50 First Dates.

DigitalFilm Tree Uses DaVinci Resolve 15 Studio

August 14, 2018, 10:46 AM

https://www.aotg.com/digitalfilm-tree-uses-davinci-resolve-15-studio/

Blackmagic Design announced today that post production facility DigitalFilm Tree (DFT) has moved its full pipeline, including editorial, color, visual effects (VFX) and delivery, into the newest release of DaVinci Resolve Studio, version 15, which was released this month.

#editing#vfx#color grading#delivery
AVENGERS - INFINITY WAR: VFX Breakdown by Framesto

August 14, 2018, 09:28 AM

http://www.artofvfx.com/avengers-infinity-war-vfx-...

Don’t miss this really cool VFX Breakdown by Framestore about their work on the New York sequences for AVENGERS – INFINITY WAR...

ENTEBBE: VFX Breakdown by BlueBolt

August 11, 2018, 04:22 PM

http://www.artofvfx.com/entebbe-vfx-breakdown-by-b...

Come have a look at the seamless VFX work of BlueBolt on ENTEBBE...

Auto scale layer style stroke After Effects quick

August 11, 2018, 06:01 AM

https://www.youtube.com/watch?v=SYbixCtsISs

Expressions in After Effects can help automate a bunch of stuff. This quick tip is writing an expression that will auto scale the layer style stoke to stay in sync with the scale of the layer. If you need stock footage, photos and even After Effects templates. Go check out Envato Elements. http://cinemaspice.net/envato to help support this channel. Don't forget to share this video. You never know who among your friends is a closet After Effects user. Thanks. Twitter https:...

Learning the VFX Secrets of Mission: Impossible -

August 11, 2018, 06:01 AM

http://www.animationmagazine.net/top-stories/missi...

It’s hard to believe that it has been more than 22 years since director Brian De Palma delivered the first Mission: Impossible feature to the big screen. The one constant in the five other movies that have followed are the death-defying stunts performed by Tom Cruise himself, who reprises his role as Ethan Hunt in the latest release, Mission: Impossible — Fallout.

ANT-MAN AND THE WASP: Jelmer Boskma - VFX Supervis

August 9, 2018, 09:21 AM

http://www.artofvfx.com/ant-man-and-the-wasp-jelme...

In 2017, Jelmer Boskma explained the work of Scanline VFX on GUARDIANS OF THE GALAXY VOL. 2. He talks to us today about his work on ANT-MAN AND THE WASP.

ANT-MAN AND THE WASP: Andrew Hellen - VFX Supervis

August 7, 2018, 09:27 AM

http://www.artofvfx.com/ant-man-and-the-wasp-andre...

Last year, Andrew Hellen explained to us the work of Method Studios on THOR: RAGNAROK. He talks to us today about his work on ANT-MAN AND THE WASP.

Quick Chat: Joyce Cox talks VFX and budgeting

August 6, 2018, 09:36 AM

https://postperspective.com/quick-chat-joyce-cox-t...

Veteran VFX producer Joyce Cox has a long and impressive list of credits to her name. She got her start producing effects shots for Titanic and from there went on to produce VFX for Harry Potter and the Sorcerer’s Stone, The Dark Knight and Avatar, among many others. Continue reading → August 6, 2018 The post Quick Chat: Joyce Cox talks VFX and budgeting appeared first on Randi Altman's postPerspective.

Battleship Island VFX breakdown

August 6, 2018, 09:35 AM

http://www.digitalidea.co.kr/img_up/VFZ_군함도....

Have a look at the VFX work made by Digital Idea for the Korean blockbuster BATTLESHIP ISLAND...

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