It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 12, 2018, 04:29 AM
http://www.artofvfx.com/jurassic-world-fallen-king...
Pietro Ponti started his career in visual effects in 2004. He has worked on many films like 10’000 BC, THE DARK KNIGHT, TERMINATOR GENISYS and FANTASTIC BEASTS AND WHERE TO FIND THEM.
July 12, 2018, 04:29 AM
http://www.artofvfx.com/pacific-rim-uprising-behin...
Russell Bowen, CG Supervisor at DNEG, talks about the environment work on PACIFIC RIM – UPRISING...
July 12, 2018, 04:29 AM
https://magazine.artstation.com/2018/07/art-ant-ma...
Whether they’re designing enormous tissue-growing, green-skinned warriors or rapidly shrinking, astonishingly tiny superheroes, Marvel Studios’ Visual Development Department has mastered its ability to visualize the look and feel of the Marvel cinematic universe. Ant-Man and the Wasp premiered at the El Capitan Theatre in Hollywood on June 25 and hits cinemas July 6, 2018. On the heels of the US release, six of the Marvel Studios Visual Development team will assemble at the Lenovo Stage a...
July 11, 2018, 05:28 AM
http://www.postmagazine.com/Press-Center/Daily-New...
BURBANK, CA — VFX Legion (http://VFXlegion.com) created over 100 digital effects for Superfly, Sony’s remake of the iconic ‘70s blaxploitation film. The deadline was only five weeks away, and the visual effects for key action sequences had yet to be assigned when producer Joel Silver and Director X brought the LA studio onboard. Legion’s team was tasked with producing a complex mix of shots designed to heighten the visual impact and visceral feel of the violence in the film’s two ...
July 11, 2018, 05:28 AM
http://www.broadcastbeat.com/vfx-legion-completes-...
Producer Joel Silver and Director X Call on the LA Studio to Tackle 100+ Shots Designed to Amp Up the Impact of the Raw Violence in Sony’s Reboot of the Iconic ‘70’s Film VFX Legion ...
July 11, 2018, 05:27 AM
https://vfxblog.com/2018/07/10/the-saddest-moment-...
The sight of a brachiosaurus being enveloped in an ash cloud after the volcanic eruption of Isla Nublar – as several characters and other dinosaurs leave the island by boat – was a powerful moment in J.A. Bayona’s Jurassic World: Fallen Kingdom. vfxblog asked ILM animation supervisor Jance Rubinchik about the approach to that touching scene, which turned out to be a direct reference back to the original Jurassic Park.
July 11, 2018, 05:26 AM
https://library.creativecow.net/Legion_VFX/superfl...
VFX Legion created over 100 digital effects for ‘Superfly,’ Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The deadline was only five weeks away, and the visual effects for key action sequences had yet to be assigned when producer Joel Silver and Director X brought the LA studio onboard. Legion’s team was tasked with producing a complex mix of shots designed to heighten the visual impact and visceral feel of the violence in the film’s two pivotal shootout...
July 10, 2018, 11:08 AM
https://www.aotg.com/vfx-legion-completes-effects-for-superfly-re-2/
Producer Joel Silver and Director X Call on the LA Studio to Tackle 100+ Shots Designed to Amp Up the Impact of the Action and Raw Violence in Sony’s Reboot of the Iconic ‘70’s Film
#vfx#cgi#digital#postproduction#movies#vfx legionJuly 10, 2018, 05:54 AM
https://www.allanmckay.com/148/
This is Allan McKay. Welcome to Episode 148! I’m speaking with Kevin Baillie from Atomic Fiction. He is one of the Founders. He is also CEO of Conductor Technologies, a cloud-based renderer. Kevin is definitely an authority and early adopter of cloud rendering. Atomic Fiction is one of my favorite studios to work at! It’s located in Oakland, California and in Montreal in Canada. This is going to be a really cool Episode.
July 6, 2018, 09:22 AM
https://postperspective.com/framestore-chicago-add...
Framestore Chicago has added Chris Beers as compositing lead. Beers will be working across a variety of clients with the Chicago team, as well as diving into Nuke projects of his own. Beers attended The Illinois Institute of Art, where he earned a BFA in visual effects and motion graphics. After graduation he honed his skills as a junior motion graphics artist at Leviathan in Chicago, Continue reading → July 6, 2018 The post Framestore Chicago adds compositing lead Chris Beers appeared ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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