It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 5, 2022, 08:49 AM
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By Oliver Peters Over the years, Edgar Wright has written and directed a string of successful comedies and cult classics. His latest, Last Night in Soho, is a suspense thriller that would make Hitchcock proud. Eloise (Thomasin McKenzie) is a young English country girl who has moved to the Soho area of London to study fashion design. Continue reading → January 4, 2022 The post Last Night in Soho Editor Paul Machliss appeared first on postPerspective.
January 5, 2022, 08:48 AM
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The concluding part of our review of the top stories of the year covers the most popular stories from the tail-end of what has been another rather strange year.
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https://www.engadget.com/512-audio-script-tempest-...
Another year of restrictions means the excuses for not starting that podcast are surely drying up. If your last one was “I can’t find a USB mic I like,” then 512 Audio might be about to ruin your (procrastinator’s) day. The company is unveiling two USB microphones at CES this year along with a podcast-friendly audio interface.
January 5, 2022, 08:48 AM
https://beforesandafters.com/2022/01/05/a-preview-...
Here’s a fun special insight befores & afters has been given: a heads-up on the guests for season 4 of The Performance Capture Podcast (a podcast sponsored by Vicon).
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https://www.artofvfx.com/the-wheel-of-time-julian-...
Back in 2020, Julian Parry explained the creation of the visual effects for the first season of The Witcher. Today he talks to us about a new heroic fantasy universe with The Wheel of Time.
January 5, 2022, 08:47 AM
https://americancinemaeditors.org/from-the-vault-m...
January 4, 2022, 01:48 PM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design has today announced that DaVinci Resolve was used throughout the digital intermediate (DI) pipeline on 20th Century Studios’ new action film, and third in the Kingsman spy series, “The King’s Man.”
#blackmagic design#davinci resolve#pocket cinema camera 6k and micro studio camera 4kJanuary 4, 2022, 09:28 AM
https://www.studiobinder.com/?p=117848
There is a saying: the best film editing is the editing that nobody notices. Though there are exceptions, this is pretty widely accepted as truth for the most part. So if good editing purposely avoids standing out, how are the nominees and winners of the Best Film Editing Oscar picked out and decided? The editing style of a particular film is at the behest of the story being told and the style of the director telling it. Continue reading Academy Award For Best Film Editing — Top 20 Winners Ran...
January 4, 2022, 09:28 AM
http://www.philiphodgetts.com/2022/01/more-flexibl...
My original plan for this post was to comment on how Disentanglement is the Next Deepfake Revolution using CGI to fill in the “blanks” where data for the target identity is missing, and to point to a DYI guide to Deepfakes. When the site became unavailable when I first wrote this post, I feared it […] The post More Flexible Deepfakes lead to Deeper Problems first appeared on The present and future of post production business and technology.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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