To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Use Mograph Effectors as Deformers

May 8, 2022, 08:46 AM

https://lesterbanks.com/2022/05/how-to-use-mograph...

Jonas Pilz shows how you can make Mograph Effectors act like deformers in C4D. This new quick tip from Jonas Pilz (@jonaspilz3d) shows how you can have Mograph Effectors in Cinema 4D behave like deformers. The

The Matrix, the original Virtual Production

May 8, 2022, 08:46 AM

https://www.redsharknews.com/the-matrix-the-origin...

Virtual Production is a catch all for a wide number of things, but it is far from a recent development.

SUNDOWNERS X MEET THE WINNERS – NSW

May 8, 2022, 08:45 AM

https://www.screeneditors.com.au/11322-2/

On Sunday 15th of May we are holding a special Sundowners in Sydney where winners from last year’s Ellie Awards will be attending to host an informal Q&A. Here is your chance to meet and talk face to face to some award-winning Editors. GABRIEL DOWRICK BEST EDITING IN DRAMA 'Wakefield' Episode 8 https://www.gabedowrick.com/wakefield LUCAS VAZQUEZ […]

Recent updates - May 2022

May 8, 2022, 08:45 AM

http://www.digitalrebellion.com/blog/posts/recent_...

In case you missed it, here are some recent software updates for our products.Pro Maintenance Tools 2.4.1 - Apr 22 2022 Compressor Repair - Improved permissions checking for Compressor 4.x Preference Manager - Improved compatibility with Adobe Creative Cloud 2022 Plugin Manager - Improved support for creating installers for large plugin bundles Media Salvage - Fixed an issue where it was possible to select the wrong codec System Toolkit - Fixed an issue where non-movie types could be associated ...

Audio Design Desk

May 8, 2022, 08:45 AM

https://digitalfilms.wordpress.com/2022/05/07/audi...

The concept of the digital audio workstation stems from a near-century-old combination of a recording system and a mixing desk. Nearly every modern DAW is still built around that methodology. Gabriel Cowan, CEO and co-founder of Audio Design Desk, sought to modernize the approach with a DAW focused on sound design, using the power of […]

Academy Award Best International Feature Film Drive My Car Graded with DaVinci Resolve Studio

May 6, 2022, 12:30 PM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design today announced that “Drive My Car,” an award winning feature film directed by Ryusuke Hamaguchi, was graded using DaVinci Resolve Studio editing, color grading, visual effects (VFX) and audio post production software. The grading was done by Yumeto Kitayama, colorist at IMAGICA Entertainment Media Services, Inc.

#blackmagic design#davinci resolve studio
How to Use Resolve’s Surface Tracker for Face VFX

May 6, 2022, 09:23 AM

https://lesterbanks.com/2022/05/how-to-use-resolve...

Igor Riđanović shows how Davinci Resolve’s Surface Tracker can make short work of face VFX. Davinci Resolve 18 has some new surface tracking tools that are perfect for things that stretch and distort, like clothes, faces, and

How to Get Great Renders With ZBrush BPR

May 6, 2022, 09:22 AM

https://lesterbanks.com/2022/05/how-to-get-great-r...

Using some great tips, Pablo Muñoz Gómez shows how to get the best renders from Zbrush Best Preview Render. Zbrush has a quick renderer that lets you quickly get a final image from your sculpts.

The Magic of Motion

May 6, 2022, 09:17 AM

https://www.provideocoalition.com/the-magic-of-mot...

Recently Iain Anderson posted a great article about Motion being every editor’s secret weapon. I agree whole-heartedly. If you use Final Cut Pro you need to be using Motion. That’s the premise of the above video, which I created to demonstrate how powerful, useful, and flexible this $50 application is, especially (but not exclusively) for [...]Read More... from The Magic of Motion

How to Make Hanging Cables With Armature and Geometry Nodes

May 6, 2022, 09:16 AM

https://lesterbanks.com/2022/05/how-to-make-hangin...

Johnny Matthews shows how to make dynamic hanging cables in Blender using Geometry Nodes and other tricks. This new tutorial from Johnny Matthews shows an easy way to build out some dangling, hanging cables as part of

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