It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 5, 2018, 08:59 AM
http://www.artofvfx.com/blade-runner-2049-the-work...
Nice video by BBC Click featuring VFX Supervisor Richard Hoover talking about the great work of Framestore on BLADE RUNNER 2049...
March 5, 2018, 05:20 AM
http://www.artofvfx.com/oscars-2018-best-visual-ef...
The Academy of Motion Picture Arts and Sciences have announced that the winner for Best Visual Effects at the 90th Academy Awards is…
March 2, 2018, 05:25 AM
https://www.aotg.com/paddington-2-vfx-breakdown-2/
Have a look at this cool VFX breakdown by Framestore about their work on PADDINGTON 2...
March 1, 2018, 10:37 AM
http://www.artofvfx.com/black-panther-michael-wort...
Before joining Trixter in 2017, Michael Wortmann worked in several studios such as Animal Logic, Cinesite, Weta Digital, Pixomondo and Chimney. As a VFX Supervisor, he took care of the effects of shows like GAME OF THRONES, STAR TREK: INTO DARKNESS, GOOD KILL and ATOMIC BLONDE.
February 28, 2018, 05:53 PM
http://postperspective.com/oscar-winner-jeff-white...
Oscar-winning visual effects supervisor Jeff White has been named creative director of Industrial Light & Magic’s Vancouver studio. A 16-year ILM veteran, White will work directly with ILM Vancouver executive in charge Randal Shore. Recently, the Academy of Motion Picture Arts and Sciences honored White and three colleagues, Continue reading → February 28, 2018 The post Oscar-winner Jeff White is now CD at ILM Vancouver appeared first on Randi Altman's postPerspective.
February 28, 2018, 10:26 AM
http://www.slashfilm.com/star-wars-the-last-jedi-v...
Most of the hype for the Oscars, as usual, surrounds the nominees for Best Picture, Best Director, Best Actor and Best Actress, but the technical awards deserve some attention too. Case in point: Industrial Light and Magic has been showing off all the hard work they put into Star Wars: The Last Jedi with its impressive array of visual effects.
February 28, 2018, 06:09 AM
https://photography.tutsplus.com/articles/10-easy-...
How you present statistics and facts can make all the difference to the interest levels of your audience. Lists and lengthy explanations will have them snoozing into the aisles, so here are our Top 10 Animated Infographic Templates from Videohive to turn your data doldrums into inspirational information.
February 28, 2018, 06:08 AM
http://www.artofvfx.com/dua-lipa-idgaf-making-of-b...
Glassworks have released this making of about their work on this music video of DUA LIPA...
February 27, 2018, 10:29 AM
http://www.artofvfx.com/black-panther-bryan-grill-...
In 2016, Bryan Grill explained the work of Scanline VFX on INDEPENDENCE DAY: RESURGENCE. He then worked on POWER RANGERS. He returns to the Marvel universe with BLACK PANTHER.
February 27, 2018, 06:49 AM
http://www.allanmckay.com/129/
This is Allan McKay. Welcome to Episode 129! I’m speaking with Jason Martin, the Creature Lead with id Software on Doom. He has also worked for Blur Studio. I’m really excited for this Episode to be coming out. We actually recorded it a while back. We talk about his background and a lot of insight on his workflow and projects. I’m excited to get this Episode out!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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