To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The VFX Festival 2018 Title Sequence

February 7, 2018, 08:09 AM

http://www.cgmeetup.net/home/the-vfx-festival-2018...

The VFX Festival 2018 Title Sequence by MPC...

Maya Super shapes and MASH Jiggle

February 7, 2018, 08:09 AM

http://www.cgmeetup.net/home/maya-super-shapes-and...

Phil Radford – PLaying about with supershape animation combined with a MASH juggle deformer.

Technicolor Opens VFX Studio Mill Film in Adelaide

February 6, 2018, 07:04 PM

http://www.studiodaily.com/2018/02/technicolor-ope...

Technicolor announced its newest expansion in the Asia Pacific market with the establishment of Mill Film, a new VFX studio based in Adelaide, Australia. The move coincides with the South Australia Film Corporation offer of a new, un-capped Post Production, Digital and Visual Effects (SA PDV) rebate. Beginning last month, the new SA PDV rebate offers a […] The post Technicolor Opens VFX Studio Mill Film in Adelaide, Australia appeared first on Studio Daily.

Cinesite VFX supervisor Stephane Paris: 860 shots

February 6, 2018, 01:21 PM

http://postperspective.com/cinesite-vfx-supervisor...

By Randi Altman The Commuter once again shows how badass Liam Neeson can be under very stressful circumstances. This time, Neeson plays a mild-mannered commuter named Michael who gets pushed too far by a seemingly benign but not-very-nice Vera Farmiga. For this Jaume Collet-Serra-directed Lionsgate film, Continue reading → February 6, 2018 The post Cinesite VFX supervisor Stephane Paris: 860 shots for The Commuter appeared first on Randi Altman's postPerspective.

iClone and PopcornFX now offer a realtime VFX 3D p

February 6, 2018, 01:21 PM

https://www.provideocoalition.com/iclone-popcornfx...

Reallusion iClone and Persistant Studios / PopcornFX release a next-level VFX plugin for production of realtime 3D particle effects equipped with specialized libraries and super-tools for customization.

How to Composite Redshift AOVs in Blackmagic Fusio

February 6, 2018, 11:20 AM

http://lesterbanks.com/2018/02/redshift-aovs-black...

Niels Bosch Shows How to Use AOVs from Redshift in Blackmagic Fusion Covering Common Production Tasks Curious about rendering and compositing AOVs with Redshift and Blackmagic Fusion? Check out this short tutorial where Niels Bosch The Post How to Composite Redshift AOVs in Blackmagic Fusion originally appeared and published on %%BLOGLINK%,by lesterbanks

The secrets of Firefly's VFX

February 6, 2018, 06:15 AM

https://www.creativebloq.com/features/the-secrets-...

In September 2002, Joss Whedon's sci-fi TV show Firefly premiered on Fox. Set 500 years in the future after a civil war, the show followed the adventures of Captain Malcolm Reynolds and his ragtag crew as they strived to make a living – legally or otherwise.

Eps. 126 - Self Investment

February 6, 2018, 06:15 AM

http://www.allanmckay.com/126/

This is Allan McKay. Welcome to Episode 126! I thought I would make this a little bit of a rant. This is a chance to do a solo Episode, instead of an interviews. I really love the idea of doing Bootcamps. The amount of work that goes into a Bootcamp doesn’t make it sustainable, however; but the amount of feedback I get — makes it worth it. So I’m excited about the next one!

Technicolor to Open Major VFX Facility in South Au

February 6, 2018, 06:14 AM

http://variety.com/2018/film/asia/technicolor-to-o...

Post-production and effects giant, Technicolor is to open a new facility in Adelaide, South Australia. Its initial focus will be delivering VFX for major film studios and streaming services, with a later expansion into virtual and augmented reality.

Weta’s Joe Letteri and Dan Lemon React to their

February 2, 2018, 10:09 AM

http://www.btlnews.com/featured/weta/

  “We are immensely proud of this work and grateful to the Academy for recognizing War for the Planet of the Apes with a nomination,” said Senior Visual Effects Supervisor, Joe Letteri. “This is the final film in the trilogy, and we’ve been really happy to see how audiences have been swept up by the […] The post Weta’s Joe Letteri and Dan Lemon React to their Oscar Nomination appeared first on Below the Line.

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.