It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 26, 2010, 12:03 PM
https://www.aotg.com/dann-cahn-archive-interview-part-7-of-11/
Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head...
September 26, 2010, 12:02 PM
https://www.aotg.com/dann-cahn-archive-interview-part-6-of-11/
Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head...
September 26, 2010, 12:01 PM
https://www.aotg.com/dann-cahn-archive-interview-part-5-of-11/
Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head...
September 26, 2010, 12:00 PM
https://www.aotg.com/dann-cahn-archive-interview-part-4-of-11/
Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head...
September 26, 2010, 11:59 AM
https://www.aotg.com/dann-cahn-archive-interview-part-3-of-11/
Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head of Post P
September 26, 2010, 11:58 AM
https://www.aotg.com/dann-cahn-archive-interview-part-2-of-11/
Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head...
September 26, 2010, 11:56 AM
https://www.aotg.com/dann-cahn-archive-interview-part-1-of-11/
Editor Dann Cahn talked about starting out as an assistant editor on motion pictures. His job in television came in 1949, on Lucky Strike Showtime. Mr. Cahn also discussed working at Desilu on I Love Lucy, Our Miss Brooks, Where's Raymond, The Untouchables, and The Loretta Young Show. He also discussed editing other television shows including Leave it to Beaver, The Beverly Hillbillies, Police Woman, and Remington Steele. He also talked about working at Glenn Larson Productions as head of...
September 25, 2010, 08:28 AM
https://www.aotg.com/winner-bafta-2009-interview-with-chris-dickens-2/
BAFTA 2009 WINNER: Exclusive Interview with Chris Dickens winner of the Award for Editing for the film Slumdog Millionaire.
September 25, 2010, 08:26 AM
http://roadtripnation.com/waltermurch
Fortunately for Walter, he discovered at an early age that he had a gift for sound recording, even though he didn't take his youthful experiments seriously until after he had explored other paths, including architecture and oceanography. Always eager to push things and see what happens, he found himself in good company at USC film school, where he met George Lucas, another graduate student whom instructors identified as a troublemaker for daring to challenge cinematic conventions...
September 25, 2010, 08:23 AM
https://www.aotg.com/john-soh-interview-part-4-of-4/
(Note 2 hours UNCUT) He described editing the first programs, coming up with concepts, and sorting through the huge volume of film the crews created. He also discussed his work on the filmed documentary, The Hellstrom Chronicle(1971), which won an Academy Award as Best Documentary Feature. Other programs discussed were The Rise and Fall of the Third Reichand Hiroshima. In conclusion, Mr. Soh discussed the art and craft of editing, his overall philosophy of telling a story through editing...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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