It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 10, 2021, 03:32 PM
https://www.premiumbeat.com/blog/color-grade-and-e...
In this final episode of the FCPX Essentials Series, we're covering the steps to finalize your edit with color correction, music, and export.
December 29, 2020, 02:08 PM
https://www.youtube.com/watch?v=c1FUq-mXpVA
Sight, Sound & Story: Live "Making the Grade: Color in TV & Film" Moderator: Jason Druss (Senior Colorist at WarnerMedia Studios) Panelists: Élodie Ichter ("The Irishman," "Once Upon a Time In Hollywood," "The Maze Runner") & Stephen Nakamura ("X-Men: Days of Future Past," "The Martian," "Prometheus") Inside Episode VI: The contribution of the colorist in film goes beyond just making the scenes and images look good. A great colorist will draw the audience's eye to w...
December 17, 2020, 01:48 PM
https://www.sgo.es/tell-us-how-you-use-mistika-tec...
Mistika Technology is being deployed globally on a daily basis to tell incredible stories and create unique experiences. SGO would like to encourage Mistika users to share their exciting projects with the global creative community for a chance to win a Mistika VR, Boutique, Workflows or DVO Tools license with a total prize value ...
December 17, 2020, 01:48 PM
https://icolorist.com/monitor-calibration-checklis...
Calibration Check List from Professional Video Alliance
December 16, 2020, 01:50 PM
https://www.themill.com/stories/30-years-of-the-mi...
To celebrate ‘30 Years Of The Mill’ we are turning our focus to the extraordinary people behind our creativity. We asked a snapshot of 30 Makers from across The Mill to share their most inspiring projects from the past, alongside their future-facing insights on the advertising industry and evolution of creative technology. Read below to find out what inspired Head of Colour, Fergus McCall to join The Mill in its infancy and why investing in youth and talent is integral.
December 9, 2020, 01:23 PM
https://postperspective.com/the-mill-reshuffles-it...
The Mill has named new heads of color in London, Chicago and Los Angeles and promote two executive producers. The appointments come as The Mill continues to invest and expand its color offerings, branching out into more long-form and episodic opportunities in addition to its award-winning commercial capabilities. Paul Yacono has joined The Mill in Los Angeles as head of color. Continue reading → December 8, 2020 The post The Mill Reshuffles its Global Color Team appeared first on postPe...
December 7, 2020, 02:17 PM
https://www.youtube.com/watch?v=X-JdZ19CDIs
https://larryjordan.com "How to Create a Good-Looking Chroma-key in Final Cut Pro X" is an excerpt from a recent PowerUp webinar presented by Larry Jordan. Effects are the fun part of video editing because there are so many different options. In this video tutorial, Larry Jordan shows how to create a clean chroma-key using both good and bad footage... and a carefully placed mask in Apple Final Cut Pro X. View the entire webinar here: https://larryjordan.com/store/300-effects-overvi...
December 3, 2020, 01:51 PM
https://www.premiumbeat.com/blog/color-wheel-basic...
The color wheels can be intimidating at first glance, but when simplified, they’re easy to navigate. Learn the basics with PremiumBeat. You’re brand new to filmmaking or ...
November 30, 2020, 01:49 PM
https://digitalfilms.wordpress.com/2020/11/29/cine...
One of the many color correction challenges is matching dissimilar cameras used within the same production. This tends to be the case in many web, streaming, and non-scripted projects, where budgets and availability often dictate the mix of cameras to be used. I frequently end up with RED, ARRI, Panasonic, Sony, DJI, and GoPro cameras […]
November 29, 2020, 08:01 PM
https://www.sgo.es/mistika-10-color/
To deliver great looking content at the highest quality, colorists and finishing artists have to be equipped with cutting edge grading tools, providing them with a total freedom to push creative boundaries without breaking the color. “With a completely redesigned Color Interface Mistika Boutique empowers creatives with ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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